Tag: organic
Sheila Font
Sheila strikes the perfect balance between casual handwriting and careful calligraphy, making it both approachable and aspirational. Put Sheila’s airy, breezy letterforms to use in friendly or feminine settings like inspirational quotes and fashion layouts. Contextual alternates and ligatures lend
Azalea Smooth Font
Azalea’s careful, inky strokes reference classic brush script styles of the 1950s, but its jaunty angularity is distinctly modern. Artfully irregular thicks and thins lend it an organic and slightly rustic feel, which is further enhanced in its rough-edged counterpart
Klimt Font
Structurally inspired by modern fonts, Klimt is distinctive for its two options: Original Slab Serif and Organic Slab Serif. The Latter is special for it illustrates the designer’s attempt to genetically modify the font. Beginning with the original structure, a
Cafe Brasil Font
Cafe Brasil is a font designed to represent coffee, especially for use in packaging, brand titles, logos and menus. Based on the shape of a coffee bean, Cafe Brasil has delicate details and ligatures that represent the liquid, foam and
Organic Font
Organic was designed to be highly legible and flexible. I wanted to create a very refined sans-serif that could be used for display or body copy, for print or digital. The Opentype flexibility allowed me to expand the look of
Magesta Script Font
The Magesta Script family by Yellow Design Studio is a set of four retro script fonts that capture the warm, authentic qualities of letterpress printing. Light, Regular, and Bold weights were created using different levels of ink coverage, while Mix
Beauty Script Font
Beauty Script is a modern interpretation of the classic formal script style. You could notice in it a special feeling due its subtle wavy rhythm to mimic the natural movement of handwritten calligraphy. Because its strong contrast and the fluidity
Wild Pen Font
Wild Pen is a handwritten typeface created through an experimental pen that’s made from recycled plastic bottle. Its spontaneous strokes are very free and allow presence of drops and blots of ink. The complete family consists of five different fonts,
Libra Font
Libra is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Libra
Sztempel Font
Designed by Wojtek Podulka in 2004, Sztempel is a raw, distressed sans-serif display font. At larger sizes Sztempel is (purposely) gritty, noisy and very intense. But when used at smaller sizes it still retains legibility and holds a very organic,
Ernest Font
Ernest is TOMO’s new face! A handmade typeface with an unique yet strong personality. Say it bold with this font. Punk & Wave styles. Ideal for type based designs. Published by TomoDownload Ernest
Melany Lane Font
Melany Lane from Yellow Design Studio is a flourishy script based on traditional letterforms, but with the added quirks and warmth of hand-drawn type. The base character set has traditionally connected letters and an expressive charm. Contextual alternates add flair
Arbuz Font
Arbuz is sans serif and distressed font. It has lowercases and three options for every letter. All of the characters have a high resolution so they can be used in a large size. Published by Justyna SokolowskaDownload Arbuz
YWFT Mr Hyde Font
The potion led to the manifestation of evil within, and this twisted, stunted font certainly leaves no evil stone unturned, with fine linework that would make Edward Gorey shave his beard. With stylistic alternates and mutiple letterforms, along with pieces
Linger On Font
Linger On is a handwritten fairly rough brush script. It’s equipped with some OpenType features and an extra set of the most commonly used letters. It also includes lines and endings for you to have more fun with and make
YWFT Yoke Font
A yoke is the “old-world” slang for twin, or double, or duplex, since it turned two oxen from independent operators into a powerful two-ox team. And if you ever plowed a ten-acre bean field by hand, you know how important
Origins Font
Based on letters hand-drawn with a crow quill on parchment paper, Origins combines calligraphic grace and antique ambiance. Its tight, energetic angularity can be complemented with swooping swash capitals, alternate ascending and descending letterforms, and graceful ending characters. Origins sings
Common Comic Font
The Common Comic volume is the fifth in Canada Type's ever-growing series of comic book fonts, which really is the expression of Patrick Griffin's continued obsession with the genre. Common Comic joins Collector Comic, Captain Comic, Caper Comic, and Classic