Tag: ornamental
Maison Luxe Font
Maison Luxe is a revival of a very old font designed in France in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. As of
Main Event Font
Main Event is a revival of a very old Italian font that you may have seen in the past under the original name of Tuscan Ornate or Bracelet. Dating back to 1860 or earlier it has never been known to
Fuetargio Font
Fuetargio is an elegant and decorative font design, published by Grzegorz Luksza. Published by Grzegorz LukszaDownload Fuetargio
Baroque Pearl Font
Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets. Published by RMU TypedesignDownload Baroque Pearl
Carte Blanche Font
Carte Blanche literally means ‘Blank Ticket’. Yeah, yeah, it is also a very 007-ish catchphrase, but I wanted to give this elegant font a ‘stylish’ name and Carte Blanche popped up. All glyphs were hand drawn on a rather expensive
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Movie Script Font
“Movie Script” is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was
Floral Script Font
“Floral script” is an english copperplate script decorated with flowers and curly leaves. Published by Wiescher DesignDownload Floral Script
Poem Script Font
Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called “Italian Alphabet” stemming from an old penman’s term for an alphabet where the
NT Fata Font
NT Fata is a decorative multi-layered font. It allows endless possibilities. The ornamental shapes refer to middle eastern patterns, giving the type a mysterious and imaginative feel. The glyph set contains elegant ornaments, enabling you to decorate your design even
Dever Font
Dever’s brute, industrial lines are rounded up in this new typeface from Jeremy Dooley. Dever combines plenty of inspirations. It’s the flair of the Wild West melded with a shout out to the sign painters and package lettering artists of
Brixton Font
Introducing Brixton, a handcrafted font family with a unique and timeless personality that is available in 3 weights; light, regular and bold. Brixton is a great display font that thrives when used correctly. Particularly within posters, vintage logo design, label
Fantasy Font
As Typesenses believes that `Letters need a touch of Magic´, Sabrina Lopez presents her new creation, a burst of innovation: Fantasy. This display font arises from the mix between Roman Style and Lombardic Decorations, with a little air of Medieval
Raffish Font
Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger’s seminal typeface Raffia – the most decorative and handsome of script typefaces. It is ornamental, baroque and relies on a triple-stroke structure that infers weight
Love Christmas Font
Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well
Cabrito Inverto Font
And so now, here it is. Cabrito Inverto, which features the reversed stress of the strokes from a font’s “normal” traits. Inverted stress fonts are most often associated with cowboys and the Old West. The inverted stress gives it a
King Bloser Font
King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the
Mussica Font
Mussica is an ornamental hybrid font derived mainly of transitional and Didone styles but including some script and uncial quirks too. Its proportions and measurements aren’t conventional giving a very special look. The family consists of two fonts which could