BoRock Font
BoRock is a handcrafted font that comes in two pigheaded styles, inspired by the rock music scene. You can use BoRock instead of the usual neat serif fonts. BoRock Grunge is a rough crispy serif font, excellently suited for use
Tag: packaging
Epicon Font
With its geometric shapes and rounded terminals, Epicon Typeface is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From
Kareemah Font
Kareemah is a humanist typography, composed by roman and italics with 16 styles and 08 weights (800 glyphs) including ligatures, alternates, small caps, old styles figures, fractions, superiors, inferiors and more. Perfectly legible and clean in the long, simple texts
Assemblage Font
Assemblage Designed by Daniel Hernández, Alfonso García, Bruno Jara Ahumada and Luciano Vergara. Assemblage is a typeface-inspired by Roman square capitals-that comes in 6 different weights and ranging from Thin to Black. The background of the typeface makes it well-suited
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Epicoff Font
With its geometric shapes and straight terminals, Epicoff is a modern and functional sans serif family with an air of technology. With 3 weights, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from
Cozza Font
The inspiration for the design of the font Cozza was Unitra Letraset from the 80s. Dry transfer lettering was used by architects from Poland and Czech Republic. Font Cozza, for each character has three alternative characters with their automatic replacement.
TT Supermolot Condensed Font
TT Supermolot Condensed is the narrow version of the TT Supermolot font family. Thanks to its open forms, TT Supermolot Condensed fits perfectly into any contemporary technological design and navigation systems. We've already seen this fontfamily in the sports theme
Fondue Font
Fondue: an eclectic-flavoured contemporary typeface. Designed by Jorge Alberto Martínez and Latinotype Team. Fondue is a type family of eclectic shapes, inspired by Art Deco designs, in particular, the lettering used by the Mexican cartoonist Ernesto “El Chango” Cabral on
Alexon Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload Alexon
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
SmytheSans Pro Font
SmytheSans Pro is a contemporary workhorse sans serif family that is eminently readable on-screen and in print. It is an updated version of our popular family Smythe Sans—we extended the characters sets, redrew most of the characters, rigorously spaced and
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Hayne Script Font
Hayne Script + Sans is a brush style design published by Majestype. Published by MajestypeDownload Hayne Script
SmytheSoft Pro Font
SmytheSoft Pro is a contemporary workhorse sans serif family that is eminently readable on-screen and in print. It is an updated display version of our popular family Smythe Sans with custom rounded terminals, rigorously spaced and kerned. Smythe Soft Pro
Willard Sniffin Font
Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin
Dragonflight Pro Font
Dragonflight Pro is a script collection of four modern calligraphy fonts. Each glyph was hand-drawn with a brass folded pen dipped in ink. The tip of the folded pen resembles the shape of a dragonfly’s wing, hence the name. By