Tag: penmanship

Antiquarian Scribe Font
Antiquarian Scribe is modeled after the neat, oblique hand-lettering displayed on an original page of “Atlas Historique, ou Nouvelle Introduction a L’Histoire”—a world atlas published by Henri Abraham Chatelain between 1705 and 1732 in Amsterdam—that I picked up at an
Lamar Pen Font
Lamar Pen gets its name from Mirabeau Buonaparte Lamar, whose penmanship it’s modeled after. Lamar, born in Georgia in 1798, migrated in 1835 to Texas, where he supported—and the following year fought for—the then-Mexican province’s independence. He stuck around, too,
Cedar Street Font
Cedar Street simulates the look of a ballpoint pen on a porous notepad. I find it interesting especially for the little bulbous ends of the strokes where the pen soaked into the paper. Cedar Street has a single, medium weight
Old Man Eloquent Font
Old Man Eloquent simulates the handwriting of John Quincy Adams, the second President of The United States, in pages of his famous diary, circa 1810. Adams kept his diary from 1779, when he was a boy, until 1848, the year
Military Scribe Font
The 10th Regiment of Foot is a British military unit raised more than three centuries ago—and perhaps most famous in the U.S. for seeing action on American soil during the Revolutionary War in the Battles of Lexington and Concord and
Terra Ignota Font
The idea for Terra Ignota came years before I actually designed it, as I was admiring a reproduction of “Amerique Septentrionale,” a 1650 map by French cartographer Nicolas Sanson, given me by my parents. The hand-lettering has a sort of
Botanical Scribe Font
Botanical Scribe is modeled after the elegant hand-inscribed legends on the antique floral prints of Belgian artist Pierre-Joseph Redouté, perhaps the most famous painter of flowers. Redoute’s engravings used the stipple method—innovative for the early 1800s—and have survived in large
Douglass Pen Font
Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass’s handwritten
Marydale Font
As a casual handwriting face, Marydale works well in diagram legends, cutlines or other display type, product packaging, movie credits—in fact, in any situation when the idea is to simulate the kind of informal hand-lettering you might find on a
Professor Font
Professor is modeled after the handwriting of an actual professor emeritus whose cursive script displays just the plain-yet-handsome, casual-yet-legible feeling I’d been looking for in a contemporary hand—one that might prove as useful in a personal letter as, say, on
Antiquarian Font
Antiquarian was inspired by the hand-lettered headlines and captions that appear on an original page of “Atlas Historique, ou Nouvelle Introduction a L’Histoire’—a world atlas published by Henri Abraham Chatelain between 1705 and 1732 in Amsterdam—that I picked up at
Antonietta Font
Antonietta is Mauricio Astete Brito’s first typeface, which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette’s wild personality. This project, supervised by Latinotype Team, was born from the idea of turning lettering into a digital
Asterism Clean Family Font
Asterism Clean is the smooth lined version of Asterism. It is a calligraphy style font with a moving baseline and lots of shining personality. Also contains a bold and a monoline version. This hand written style font is based on
Asterism Font
Asterism is a calligraphy style font with a moving baseline and lots of shining personality. This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes. Published by Great
Marguerite Font
Designed by fine artist and calligrapher Alissa Mazzenga, Marguerite is is a calligraphy style font inspired by fine artistry and risk taking. She has a way of surprising her viewer, with a look that is authentic, yet chic, relaxed, but
Sherlock Font
Sherlock is a very mysterious script, always on the lookout for the killer-design-project. It is a joining- or not-joining-script, whatever you want it to be. The pro-version sports 807 glyphs with language support for all European languages and some –