Tag: pointed
Plathorn Font
That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit
Spire Monoline Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this monoline revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by FontHausDownload
Astoria Font
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well
Blanchard Font
Blanchard is a revival and elaborate extension of Muriel, a 1950 metal face made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud. Blanchard is a script that
Blakely Font
Blakely is an all-caps Art Deco design. It is based on the logotype of the Signals mail order gift catalog designed by Mark Simonson in 1993. Published by Mark SimonsonDownload Blakely
Spire Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this period revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by FontHausDownload
Tabarnak Font
Tabarnak started out as an assessment and correction of an old concept by George Wilkens. The original idea was for a bold upright alphabet reminiscent of Oz Cooper's work, but ornamented with some shocard/signage traits. That idea was radically redrawn
Lionheart Font
Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most ‘ausgezeichnet’ scripts and text faces