Tag: poster
Amoretta Font
Amoretta = Little Love. Our sweet Amoretta is optimistic & bright. A charming balance of youth and sophistication, Amoretta is full of opportunity for print (Identity projects, stationery, book design, packaging design) or online applications (eBooks, games, websites). Easy to
Filmotype Zanzibar Font
Strikingly poised and almost as exotic as it sounds, Filmotype Zanzibar is among Filmotype’s most amazing and beautiful formal scripts released. This hidden gem from the early 1950s has been meticulously redrawn from the original font filmstrips and has been
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Fiance Font
Fiancé is a new extra bold sans italic font with a lot of lovely alternate glyphs to play with. Specially developed for packaging, logotype & poster design projects. Designed by Miguel Hernández. Engineered by Alejandro Paul. Published by Sudtipos Download
Eden Pro Font
Based on the original 1934 Ludlow drawings by Robert Hunter Middleton, we created two additional weights that round out the family. Eden contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Eden Pro
Dolmen Font
This clever revival of a 1920’s jobbing printer’s style exudes all the fashion and culture of the jazz age. Dolmen offers an interesting alternative to other fonts such as Broadway and Koloss and can be used in all capital or
Roundhand Font
Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his ‘The Pen-man’s Treasury Open’d’ written in 1694. The typeface has continuous cursive shapes with
Beachcomber Font
When we last left our shipwrecked pal Squid, he was gathering driftwood planks for firewood. But fate would soon intervene. As the roar of an approaching airplane grew louder, he scrambled to arrange the planks to form a distress signal.
Watch Font
Watch is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Watch
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
Verb Extra Condensed Font
Like the original Verb family, Verb Extra Condensed from Yellow Design Studio is confident, friendly and energetic, but has been carefully re-drawn with space saving proportions. At text sizes it’s legible and economic, while at larger sizes it reveals lively
Xreles Font
Xreles designed by Stawix Ruecha. It was joined in TypoLyrics Exhibition and Publication 2013 in Bangkok. Published by STAWIXDownload Xreles
Klimt Font
Structurally inspired by modern fonts, Klimt is distinctive for its two options: Original Slab Serif and Organic Slab Serif. The Latter is special for it illustrates the designer’s attempt to genetically modify the font. Beginning with the original structure, a
Caslon Extra Condensed Font
Designed by Steve Jackaman, Caslon Extra Condensed is based on the Ludlow/ATF versions of this great typeface. Published by Red RoosterDownload Caslon Extra Condensed
DeeDee Font
DeeDee is a geometric sans serif typeface family of ten styles – thin, light, regular, bold, heavy in roman and italic respectably. DeeDee typeface is direct relative to older siblings of Dina family. Although all glyphs have gone through complete
Verb Condensed Font
Verb Condensed from Yellow Design Studio is a modestly condensed version of the original Verb family, taking on more classic sans-serif proportions. It shares the same confidence, energy, and friendliness. At smaller sizes Verb Condensed is open and legible, and
Ribera Font
Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design.