Tag: poster

Tremendous Font - Image 1

Tremendous Font

Strong and somewhat rough but absolutely warm-hearted, this Tremendous family is quite versatile and will find the right tone to deliver your message in a nice way. It can be friendly, it can speak out loud, it can be almost

Copacabana Font - Image 2

Copacabana Font

Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst

Prelo Slab Font - Image 3

Prelo Slab Font

Prelo Slab is the serif companion to Prelo, a neutral, highly readable typeface, for identity, editorial and information design. With nine weights and nine italics, from Hairline to Black, Prelo Slab is a workhorse typeface, full of OpenType features such

ATC Rosemary Font - Image 4

ATC Rosemary Font

ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts

Filmotype Jamboree Font - Image 5

Filmotype Jamboree Font

Filmotype Jamboree was released by Filmotype in mid-1960s to expand its Scripts category with a smart looking fresh informal upright pen-script! Filmotype Jamboree was developed from the original font filmstrips and includes a full international character compliment, automatic fractionals, ordinals,

Corpo Serif Font - Image 6

Corpo Serif Font

Corpo Serif is a refreshed version of my old font Korpo Serif. Corpo Serif, designed by Mateusz Machalski, is a serif type family with a friendly feel. This type comprises 12 variants with 6 weights.The high contrast and high x

Filmotype Nemo Font - Image 8

Filmotype Nemo Font

As one of earliest Free Style faces released in the early 1950s by Filmotype, Filmotype Nemo captures the more iconic playful type styles made popular in the early 1950s when a clear message needed to come across as fun to

Canberra FY Font - Image 9

Canberra FY Font

Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,

Saya Serif FY Font - Image 10

Saya Serif FY Font

Here comes the serif! After her big sisters version, Saya Sans and Saya Semi Sans, meet Saya Serif! With its lightly condensed letterforms and its elegant sharped serifs, this font family is both suitable for text and display use. It’s

Yard Sale Font - Image 11

Yard Sale Font

Last year I put out my old yard sale sign and the city told me it was violating a bylaw for being too ugly of a sign in a public place. Not this year! This year I used BLKBK’s ‘Yard

Acta Poster Font - Image 12

Acta Poster Font

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching

Filmotype Western Font - Image 13

Filmotype Western Font

Inspired by French Antique reverse-stress types of the 1880s, Filmotype Western was released in 1955 to expand its Flat Serif category. Popular in broadsides, circus posters and advertisements at the turn of the 19th century, Filmotype Western will add old

Gunar Font - Image 15

Gunar Font

A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These

PiS Lietz Berlham Font - Image 17

PiS Lietz Berlham Font

Need a perfect typeface for your post-apocalyptic shooting game? A documentary about suffragettes? Your vintage themed coffeeshop? PiS Lietz Berlham! Boom! Just as his straighter brother LIETZ Lindham, Lietz Berlham evokes the spirit of the 1920s and 30s. Hand-drawn and

Ratio Modern Font - Image 18

Ratio Modern Font

Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in