Tag: poster
Rowton FY Font
Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez,
Sepian Font
Sepian is an original hand lettered font based primarily on Textualis, or Textura in the Blackletter family – the style most commonly associated with Gothic scripts. The addition of barbs to the terminals add to its modern and sharp look
Vaccine Sans Font
Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance.This
Joseph Font
Joseph is a brand new slab-serif face designed by TOMO. With a wood type look – letterpress print technic, this fatty come in handy when is time to design an informal —yet strong—looking communication piece. Ideal for promotion-matter. Published by
Simplo Soft Font
Simplo Soft is the soft companion of Simplo. In Simplo Soft, Simplo’s original sharp geometrics have been tempered by the moderate rounding of the edges of its characters — creating a softer and friendlier geometric typeface. Simplo Soft is ideal
Abelina Pro Font
Abelina is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting. Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic
Ilya FY Font
With its soft and triangular serifs and its round shapes, Ilya FY is a friendly and gentle display font. Its tall ascendants and descendants, single storey a, generous uppercases and other nice details give Ilya FY a singular look if
Vaccine Font
Vaccine is a slab serif font family with a mixture of the usual and one-sided serifs. We call it ‘semi semi slab serif’. Serifs and terminals have soft rounded shapes, but stem junctions on the contrary use hard constructions. Such
Monsal Font
A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications. Details include 9 weights, an extended European
Sheila Font
Sheila strikes the perfect balance between casual handwriting and careful calligraphy, making it both approachable and aspirational. Put Sheila’s airy, breezy letterforms to use in friendly or feminine settings like inspirational quotes and fashion layouts. Contextual alternates and ligatures lend
Bulo Rounded Font
Bulo Rounded is a real Rounded: not only the beginning and the end of the strokes are rounded, but also the counters and the intersections of the glyphs. The result is a smooth effect that brings a warm feeling, and
Hoxton Font
A modern humanistic san serif typeface. The horizontal structure of the font gives it a clean lateral dynamic that is ideal for on screen uses. Also the proportions have been condensed to maximise the use of space across various layouts.
Serafine FY Font
Serafine FY is an elegant and slender display font with high contrast. The basic design reminds of a brave Didone but it affords much more latitude to all its condensed letterforms. One of its particular characteristics is definitely the drawn-out
Beval Font
A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details
Saya SemiSans FY Font
Our Saya FY family is growing with its new SemiSans version. Like the name already indicates, Saya SemiSans is more contrasted but still keeps its lightly condensed letterforms as well as its beatiful harmonized calligraphic details. As fresh and elegant
Guillotine Font
Guillotine is inspired by an uncredited early 1970s film face called Rhythm Bold. While the original film type had plenty of round forms that were uneven and somewhat badly drawn to fit within the overwhelming pop wave of the time,