Tag: poster
Smart Labels Font
With this template set you can make endless tags, shopping sale designs, discounts or anything you want. After Handy Labels, Smart Labels is another bunch of 26 different layered and customizable vector clip arts. They are easily accessible through a
Casablanca Font
Designed by Steve Jackaman in 1997, Casablanca is an art deco, retro styled typeface great for headline and vintage themed type settings. Casablanca comes in opentype format with West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry
Block Gothic Font
Designed by Steve Jackaman, this font release s based on the original Block Gothic series circa 1960. Published by Red RoosterDownload Block Gothic
Beachbats Font
Shaka, dude! Arggggh! Whether you’re shiverin’ timbers, eatin’ a luau pig, or catchin’ waves, Beachbats gives you all the stuff you need for a family trip to the seashore or a pirate raid in Bora Bora. And it’s conveniently packed
Relish Pro Font
Designed by Steve Jackaman and Ashley Muir. Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Relish
Espasmo Font
Espasmo is a new typeface, that was designed to be a good tool for any designer. Is an experimental font and it fits well on any kind of design because it has 22 different weights. Published by Diogo PisoeiroDownload Espasmo
Motobats Font
The Sideshow Automotive Engineering Department presents a high mileage dingbat set that’ll really move you. We’ve just rolled out a motorific collection of cars, trucks, buggies, top-fuel dragsters, cop cars and even ice cream vans! Now it’s bumper to bumper
Tabia Font
Tabia is a geometric sans serif typeface, designed by Mariya V. Pigoulevskaya in 2013. The font was inspired by the work and principles of the iconic german industrial designer Dieter Rams, who is closely associated with the consumer product company
Filmotype Ginger Font
Initially designed in the early-to-mid 1950s, Filmotype Ginger helped usher in the Mod typographic stylings of the early 1960s visual aesthetic yet it retains a classic and timeless feel. Remastered and expanded with exacting precision from the original filmstrips, Filmotype
Refuse Font
Refuse Pro is a stamp-like distressed sans serif typeface based on information stamped on the side of packaging. Refuse has an extended Latin, extended Cyrillic and Greek alphabet so it will work with most languages in Europe and the Americas.
Shinn Font
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the
Lionel Text Steam Font
Take this 1940s inspired sans-serif for a spin on the Pennsylvania RR in its elegant lightest weight! Published by Font DinerDownload Lionel Text Steam
Lionel Classic Font
Ride the rails in this fine Art Deco inspired sans-serif certain to electrify your inner engineer! Published by Font DinerDownload Lionel Classic
Sorren Ex Font
Sorren Ex is a slightly less condensed, more robust version of Sorren. Its overall width has been increased to the point just before its rounded forms begin to flatten, retaining the aesthetic essence of the original without compromise.Sorren is a
Emblem Chief Font
Grab your Turtle Wax and start polishing that beautiful automobile brightwork to a chomey shine with Emblem Chief inspied by 1950s automotive lettering. Published by Font DinerDownload Emblem Chief
Basuto Font
Designed by Paul Hickson, Basuto is based on the original typeface design from 1927. Published by Red RoosterDownload Basuto
Taylors Font
It’s Milwaukee’s hottest nightspot Taylors! Meet like-minded hipsters for martinis and chit-chat to a rhumba beat! Published by Font DinerDownload Taylors
Aeronaut Font
A Neogothic typeface that radiates trendy ease and allows bicolor compositions. The decorative elements of Aeronaut, the swashes we call parachutes and the squiggly arrows of the upper-case characters soften the font’s Gothic appearance. It’s the reason why we labeled