Tag: poster
TT Lakes Font
The idea for this font emerged in the city of Priosersk, which until World War II was a Finnish city called Kakisalmi. At the city museum we came across an unusual sign plate with the former name of the railway
Kaleko 105 Remix Font
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect
Cortese Font
As usual, I stumbled upon a great 1971 Italian movie poster when looking for something else. The poster for “La Morte Cammina Con I Tacchi Alti” (directed by Luciano Ercoli), was made by an unknown artist and comes with a
Kroppen Round Font
Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more
Kaleko 205 Round Font
Kaleko 205 Round is a rounded variation of Talbot Type font Kaleko 205. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded
Kandel 205 Font
Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs,
Kaleko 105 Round Font
Kaleko 105 Round is a rounded variation of Talbot Type font Kaleko 105. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded
Kaleko 105 Font
Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean,
Kandel 105 Font
Kandel 105 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs,
Colaba Pro Font
Colaba now has lowercase! Colaba Pro is a condensed display face with tall uprights and soft corners. Striking and playful in equal measure, Colaba’s versatility make it an ideal choice for titles and logos. Colaba Pro has an extended Latin
Midnight Owl Font
Midnight Owl is a condensed, hand lettered display font that was based on modernist-serif letterforms and packs a ton of quirky character into one single font. Use it clean, or dress it up a bit with the bonus decorative layers,
Merlo Neue Font
Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights,
Helium Font
Designed by Steve Jackaman, Helium is a unique serif design re-tooled from the classic BF Collection. Published by Red RoosterDownload Helium
Black Baron Font
Inspired by medieval script lettering with an air of vintage/retro style. Black Baron is suitable for any project that requires a medieval feel. Published by McraftDownload Black Baron
Acier Font
Giving Cassandre another shot at stardom Designed by Cassandre (born Adolphe-Jean Mouron, 1901-1968) in 1930, Acier was the second design by the legendary artist to be published by the Deberny & Peignot foundry. As a dual-color display typeface, designed in
Instant Font
The typeface that shifts gears Since its origins, typography has been closely related to the handwriting from which it originates. The quicker we write, the more the writing is done without raising our hand; typographic shapes derived from this action
Francesco Font
A new tribute to old ways Franck Jalleau’s flexible and vigorous typeface is inspired by Venetian faces of the Renaissance, especially those cut by Francesco Griffo who lends it his name. Adopting old-style classicism and manual drawing, Francesco is soft
Synthese Font
The Synthese project combines various influences from landmark sans serifs of the 20th century into a unique typeface family. Equally functional in screen interfaces as in signage, the family also features all the tools necessary for demanding publication design. At