Tag: readable
Rusulica Font
Rusulica script is designed to express handwriting in a modern and glamorous fashion. Its letter construction is pure and fluid. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica has a high contrast and there is
Submariner R24 Font
Submariner R24 is a modification of the Submariner type family. It still holds pleasant humanistic construction, but now the letters are easier. Rounded corners enhance the typeface’s sophistication and broaden its usability. It is a remarkable typographic discovery. The letter
Submariner Font
Submariner is a waterproof type family that displays the right amount of power and character on every depth level. Thanks to its strong and humanistic construction, it can endure great information pressure. It is a marvelous typographic experience. The letter
Dylan Font
“Dylan” is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights
Bronkoh Font
A subtly softened sans, Bronkoh aims to give a friendly face and soft touch to type both onscreen and in print. Humanist forms and generous apertures make this a sturdy and legible face while it's softened curves and terminals give
Neuesanstara Font
Neusanstara font family is about when classic meets modern. Contemporary New sans with aesthetic and elegant shape. Neuesanstara is characterized by excellent legibility both in print and on the web. Consists of 10 unique font styles and weights. Look great
Semikolon Font
Optimal readability by reduced, distinct letter forms. Appropriate for early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets,
Hoxton North Font
Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston's typeface for the London Underground and Gill Sans. A humanistic san serif typeface with a British modern quality. Open forms
Univia Pro Font
Univia Pro is a new contemporary OpenType font family with modernity and versatility in mind. Distinctive with its pleasant look extremely modern, Univia Pro have a lot of personalty mostly achieved by smooth curves and round corners that forms a
Arkibal Display Font
Display version is a little different from Sans family, where “a” is the center of the whole font. And letters “l, b, d, p, q and t” is the moved slight angle. The idea was to make two versions with
Capitolina Font
Capitolina is a family of 10 typefaces with a contemporary design style, based on different historical models. The original shape of serifs was a reference to 19th century’s Clarendon types though this inspiration remains as a subtle feature of the
Abrade Font
Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print
Averta Standard Font
Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) Averta is a geometric sans serif
Toenas Bangsa Slab Font
Designed and built in Jakarta,Indonesia by Endang Hidayat (Bang Kumis Typefoundry). Toenas Bangsa Slab is clean rounded slab serif font. Uses clean line and smooth round curves. Mix old slab serif style with modern clean font. Look simple, elegant and
Averta Font
Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simplistic, yet appealing, personality.
Graphie Font
Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body
Schar Font
A humanist sans designed like a serif with high-stroke contrast, but without serifs. Calligraphic forms and consistent angle axis are combined to create a fluid and dynamic personality. Schar is a balanced sans serif with classic proportions ideally suited for
Halcom Font
A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how Futura