Tag: readable
Stolzl Display Font
Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant
Basil Font
A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects – editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed
New Daily Font
Marit Otto about New Daily This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) styles. And modernized
Regan Slab Font
A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to a wide range of applications including magazines, newspapers and handheld devices. Details include
Uniman Font
A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include
Pleiad Font
Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful constellations in the sky, and in Greek mythology
Merel Font
Merel is a modern geometric typeface with humanist attributes. Geometry and logic are at the heart of this 6 weight font family. Humanist touches give it a number of distinctive characteristics, as well as aid legibility. Despite being rational and
Nauman Font
A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more
Suomi Sans Font
There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower
Neology Font
Variety is favored in many areas, particularly for activities which extend over time. Humanity balks at the prospect of the straight road, the assembly line, the prison cell – we are designed to respond to stimuli which vary; inertia generates
Crique Grotesk Font
The Crique Grotesk This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface. The font family is also composed of the normal width and display width in order to support the different applications on the delicate
Interval Sans Pro Condensed Font
The new Interval Sans Pro is a pratical choice when you need a contemporary sans serif for text typography, headlines, signage or brands creation. This new version has many more OT features like small caps, ligatures, stylistic set, localized form.
Modum Font
A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic
Transat Text Font
Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco “Transat”. Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also
Regan Font
A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations
Churchward Lorina Font
Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward’s trademark quirkiness but remains highly legible and readable on screen as