Tag: renaissance

Ornable: An Intriguing Collision of Artistic Epochs in the Realm of Typography

An air of prestige and elan surrounds the melange of influences that envelope the field of graphic and digital design. Among the myriad facets lies a distinct character that carries a substantial impact in rendering aesthetic elements, one that is

Vageli Font

Vageli is a unique font duo that combines a beautiful nostalgic uppercase and a wavy vintage lowercase, this combination gives the typeface a distinctive and trendy appearance. The typeface is very creative, this makes it perfect for creating projects that

Gruesome Font

Gruesome is a decorative font design published by Letterhend Studio Published by Letterhend StudioDownload Gruesome

Kelyon Font

Kelyon is a sophisticated and modern serif, inspired by the late Middle Ages and early renaissance period. Kelyon was designed with a very thin hairline and long serifs, this reflects the charm and feel of the 14th century. With over

Pliego Font

Pliego is a textface designed to offer a comfortable continuous reading, with humanist proportions, an even texture, and informal calligraphic details noticeable only at big sizes, that gives it a contemporary feeling. Pliego has been named after Pliegos de Cordel,

Portoluce Font

Portoluce is a Roman typeface. These fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary

P22 Ridley Font

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar to the P22 Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign

P22 Basel Roman Font

In mid 2001, P22 was approached by a Daniel Garrison, a Classics scholar at Northwestern University about possibly digitizing a long lost “Garamond” typeface. This font was used by Johannes Herbst (a.k.a. Ioannes Oporinus) in 1543 to publish Andreas Vesalius’

Florentine Cursive Font

Florentine Cursive was designed by R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Florentine Cursive

Alys Font

Designed by A. Pat Hickson. An original design. A memorial typeface by Pat for her mother, Alys, who was tragically killed. Published by Red RoosterDownload Alys

Stanhope Font

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904. Published by Red RoosterDownload Stanhope

Alexon Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload Alexon

Administer Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer

Goudy 38 Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface

Garamond Font

Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond

Waverly Font

Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly