Tag: renaissance
Packard Font
Designed by Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly
Hess Old Style Font
Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old Style
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Bellini Font
Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini
Modernista Font
“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started modern
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley
Willard Sniffin Font
Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Rivoli Initials Font
Designed by Paul Hickson, Rivoli Initials is a decorative font based on the William T. Sniffin design for ATF, circa 1928. Published by Red RoosterDownload Rivoli Initials
Florentina Font
“Fiorentina” is a ecstatic, abundant, embellished script in the Renaissance tradition. It could have been made for the Medicis or Sforzas. But I designed it completely new after being inspired by colorful Florentine wrapping papers. I gave it many different
CA Texteron Font
CA Texteron is a modern text-font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Eleganza Font
“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.
Chelsea Font
Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea
Paganini Font
Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its
Pickworth Font
Designed by Steve Jackaman & Ashley Muir. An antique, rustic or even mystical design that will grow on you the more you use it. Pickworth contains all the high-end features expected in a quality OpenType Pro font. Published by Red
P22 Morris Golden Font
William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris