Tag: retro
Cartograph CF Font
A monospaced typeface with character and warmth, Cartograph© CF is a handsome font family featuring a lush, cursive italic, code-friendly ligatures, and a proportional set accessible via OpenType. A tribute to the utilitarian beauty of terminals and typewriters, Cartograph excels
The Hipton Font
Introducing new layered font family it’s call the Hipton. Inspired from single stroke gothic letter of sign painting and make it layered. This is collection of type with a layered type system, many possibilities combination and options. As a display
Body Rock Font
Putting people under pressure, with a beat with the heat to make a Body Rock. Squishing out fluids and ossifying the organic mass that makes a human hard. Dance, pose, flex, and perform like it’s 1984. Published by BLKBKDownload Body
Stampbor Font
Stampbor is a vintage typeface with a touch of grunge. Published by Dmitry MashkinDownload Stampbor
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Wells Grotesque Pro Font
Designed by Hal Taylor. Inspired by the H.G.Wells science fiction novel ‘War of the Worlds,’ first published in 1898. Wells Grotesque also contains Small Caps, Old Style Figures and alternate glyphs, plus all the high-end features expected in a quality
Epicoff Font
With its geometric shapes and straight terminals, Epicoff is a modern and functional sans serif family with an air of technology. With 3 weights, this contemporary font is well-suited for all kind of application. From packaging to editorial design, from
Casual Brush Font
Casual Brush is a handwriting style script design. Best for uses such as for logos, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, headers, printed quotes, etc. Published by AiyariDownload Casual Brush
Cozza Font
The inspiration for the design of the font Cozza was Unitra Letraset from the 80s. Dry transfer lettering was used by architects from Poland and Czech Republic. Font Cozza, for each character has three alternative characters with their automatic replacement.
Lesmore Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death. Published by Red RoosterDownload Lesmore
Rodger Font
The Rodger typeface family’s main source of inspiration came from rounded display faces of the 1960s and 70s, but it also references sans serif, rounded typefaces found in wood type collections of the 19th century. Despite its vintage roots, Rodger
Frontage Condensed Font
Frontage Condensed is a layered type system inspired by eye-catching and colorful facade signage. Its main aspect is — like many typographic installations on storefronts — three dimensional. The narrow, generously spaced letterforms lend the typeface a bold and eminent
Xander Font
Xander is a typeface inspired by a time when people cared about craft, and creating things with their hands. It boasts a solid Sans & Serif version each with its own unique styles. You can use all of the alternate
Ovsyanka Font
Ovsyanka (oatmeal) is a typeface with rounded corners and a slight distressed effect. Ovsyanka is ideal for packaging designs, for example chocolate or coffee box designs. Published by Dmitry MashkinDownload Ovsyanka
Javelin Font
Designed by A. Pat Hickson, Javelin is a sport-like and retro font design. Published by Red RoosterDownload Javelin
Alpha Beta Font
Steady in its place, ambitious in its outlook: Enter the journeyman of pack leaders. The Alpha Beta comes from behind to run ahead, before falling back; fighting and losing, fighting again, always to win. Published by BLKBKDownload Alpha Beta
SmytheSans Pro Font
SmytheSans Pro is a contemporary workhorse sans serif family that is eminently readable on-screen and in print. It is an updated version of our popular family Smythe Sans—we extended the characters sets, redrew most of the characters, rigorously spaced and