Tag: revival
Filmotype Wand Font
Filmotype Wand was introduced in 1955 as part of the Flat Serif category. Inspired by smart slab serifs including Hellenic Wide popular in American television westerns and in heavy use in corporate letterhead and store packaging, Filmotype Wand takes a
Sperling FY Font
Sperling FY is a geometric and condensed high contrast font, characterized by its long vertical serifs. Its big i-dot as well as some other deliberately naive disproportions like the W are wonderful signs to identify Sperling FY. The accompanying italic
Unger Script Font
Unger Script is a font which is obviously based on Aldo Novarese’s Slogan designed for Nebiolo in 1957. This very expressive script design is defined by its widely swinging upper case and its quite narrowly designed lower case characters. Ralph
Rowton FY Font
Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez,
Diane Script Premiere Font
Designed by the legendary French designer Roger Excoffon in 1956, this remarkable script has never been faithfully recreated until now. In close collaboration with Mark Simonson, FontHaus and Mr. Simonson painstakingly researched rare type books, publications, European metal type services,
Cloister Initials Font
Cloister Initials™ have become FontHaus’s most popular decorative initials font since we began selling it in 1993. First released in 1919 for ATF, Goudy’s “Cloister Initials”, sometimes called Goudy Initials is recognized as “one of the most beautifully designed set
Creighton Pro Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Sergio FY Font
Sergio FY is an antique latin font family inspired by a 19th century wooden type font, found in an italian print – Gazetta Musicale di Milano, 10 Guigno 1897. This typeface is characterized by its large, sharp, and triangular serifs,
Monolith Sans Font
Designed by Tony Mayers in 2004, Monolith Sans is a unique and modern sans-serif type design. Published by ABCTypesDownload Monolith Sans
Plathorn Font
That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit
YWFT Belle Font
YWFT Belle is an elegant script font, that is developed in opentype format. Initially inspired by the classic serif, Didot, with its graceful thick to thin forms, YWFT Belle takes on a similar sophistication, but also exudes a subtle playfulness.
Monolith Roman Font
Designed by Tony Mayers in 2004, Monolith Roman is a unique and modern serif type design. Published by ABCTypesDownload Monolith Roman
New Bayreuth Font
New Bayreuth is a new and improved version of the original Bayreuth font (Friedrich Hermann Ernst Schneidler, 1932). New Bayreuth was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font
Diploma Font
Diploma is a revival of Diplomat, a metal type made by the in-house team of Ludwig & Mayer and first published in 1964. Strong elegant caps with confident serifs make Diploma a great addition to the toolbox of poster and
Dora Sans Font
Dora is a new face designed by TOMO. Dora is style driven, condensed sans serif typeface made by hand to add unique and sweet touch. Published by TomoDownload Dora Sans
Ronsard Crystal Font
Designed by Steve Jackaman and Ashley Muir. The original Ronsard Crystal began its life as a single-weight photolettering font in the 1950s. We lliked it so much, that we decided to design four traditional weights to go with the original
Creighton Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Windlesham Pro Font
Designed by Steve Jackaman and Ashley Muir. Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Windlesham Pro