Tag: roman
Radal Font
Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the Latin American type scene. Inspired by the capricious and temperamental southern Chile geography and the
Pauraque Font
Pauraque Serif & Sans is the perfect wide and legible companion. It’s experimental, and at the same time it’s easy on the eyes, retaining both classic elements and a modern geometric construction in a font you haven’t seen before. This
Hellen Font
Hellen is an elegant classic serif font based on the Koch Antiqua typeface, created in 1922 by the German designer Rudolf Koch. It’s a delicate typeface with a low x-height, designed for decorative and display use. This version includes Regular,
Fortezza Font
Fortezza is a family of fonts inspired by the great masters who have created the Modern Roman style: Firmin Didot (1764 -1836) and Giambattista Bodoni (1740 -1813) Both typefaces can be similar, but a trained and close vision, show clear
La Parisienne Font
La Parisienne is a collection of fonts inspired by Paris avenues and boulevards full of inimitable french charm. The family is a mix of handlettering and classic forms. All fonts in collection work well together and while they share some
Antiga Font
What happens when Roman and Art Nouveau heritage get together? Antiga happens. Combining an old style typeface with an elegant and modern touch, Antiga is ideal for magazines and newspaper headlines, or even book covers! With a delightful and versatile
Monty Stencil Font
Monty Stencil is a new font family characterized as grotesque sans serif. The dynamics of the stencil letters G, K and A adds an additional sharpening and a heavy rounded softness to all of scripture and provide extra versatility, which
Aviano Copper Font
The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while
Mastro Sans Font
Mastro is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole. The uppercase is inspired in roman capital proportions
Pueblito Font
Pueblito is a hand drawn font with a rustic and antique appearance. Was inspired from old books and newspapers but express a very own personality and not necessary represent a specific classic style. The family consists of twelve fonts in
Mussica Italic Font
In 2009, Corradine Fonts released one of its most successful projects: Mussica, an experimental and hybrid typeface that explore the exaggeration of ascenders and descenders in a high contrast style. Now, around eight years later, we are proud to introduce
Roman Ionic Font
Roman Ionic is a unique revival of a typeface that was once popular and used in many late 19th century and early 20th century music publishing houses, such as Durand et fils. It displays a happy marriage between the beautiful
Banjax Font
Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has
Mandrel Font
From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before
Belda Font
Step into the beauty of Belda’s elegant form and discover the richness flowing from both its historic influence and its strong elements. At its heart, Belda’s graceful style embodies the classical calligraphy of the Roman capital, best known from such
Carrig Pro Font
Carrig Pro is a refined and elegant serif. Classed as an Antiqua, Carrig Pro is borne from a hybrid of influences that range from early Roman inscriptions to type of the Pre-Modern era, giving Carrig Pro a distinctive character all
Geographica Hand Font
Geographica hand replicates the neat hand-lettering typical of engraved British maps of the 18th century, including the work of cartographers Emanuel Bowen (circa 1694–1767), geographer to king George ii, and Thomas Jefferys (circa 1719–1771) Geographica to King George iii. a