Tag: roman
Geographica Script Font
Thank you for purchasing Geographica Script™, a member of the 3IP Type Library. We appreciate your business very much. Time-tested elegance is what you’ll get with Geographica Script, a handwritten typeface steeped in 18th century sophistication. Source materials include the
LP Saturnia Sans Font
Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at
Cabrito Didone Font
A graceful kid if ever you’ve seen one, Cabrito Didone joins the Cabrito family of fonts–a family designed to provide young infants with clear recognition of letter forms. The original letters were released as part of the children’s book about
Broadsheet Font
Broadsheet simulates old newspaper text from the 1700s, chiefly from two specimens: an original copy of The New-England Weekly Journal, published in Boston on April 8, 1728, and a commemorative reprint of the Massachusetts Sun, published in Worcester, Mass., on
Geographica Font
Geographica is a four-style serif text-type family modeled after the neat hand-lettered place names and peripheral text on the maps of Thomas Jefferys (ca. 1710–1771), the best-known map engraver in 18th-century England. Although he won (and hyped) the title “Geographer
Castine Font
Castine gets its name from a small coastal Maine town with a seagoing heritage and long history. The town has an old cemetery with a few 200-plus-year-old headstones whose distinctive carved lettering inspired the typeface that shares its name. Castine’s
Attic Antique Font
Attic Antique replicates the warn, weathered text in a friend’s old copy of John Burroughs nature essays. It shares the wide spacing and ample serifs of the Century faces. Use it to represent age, to suggest photocopied archives, or to
Alethia Pro Font
Alethia Pro is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types
Bonsai Font
The name “Bonsai” seems appropriate for this font for two reasons: its source of inspiration—some top-heavy text type I found in an old handbook on bonsai from the Brooklyn Botanic Garden—and its glyphs’ resemblance, however vague, to the ancient miniature
Stanhope Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904. Published by Red RoosterDownload Stanhope
Alexon Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload Alexon
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Carrig Font
Carrig is a Classic Antiqua typeface that was inspired by letterforms that have been carved into stone and weathered by time. Features: • Full European Character Set • 410 Glyphs • Alternate Letterforms for capitals O, Q, R and U.
Garamond Font
Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond
Waverly Font
Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly
Hess Old Style Font
Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old Style
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow