Tag: roman
Artica Pro Font
Artica is an elegant sans serif typeface, offered in five weights. It was inspired by classic Roman letterforms. Artica Pro supports Latin, Cyrillic and modern Greek scripts, and includes swash initial & final forms, stylistic alternates and ligatures. Published by
Artica Rough Pro Font
Artica Rough Pro is an elegant display typeface. It was inspired by classic Roman letterforms. Artica Rough Pro supports Latin, Cyrillic, modern Greek and Armenian scripts, and includes swash initial, final forms, stylistic alternates and ligatures. Published by Green TypeDownload
Marcellus Pro Font
Our Marcellus Pro was inspired by classic Roman inscription letterforms. Clarity and beauty are embodied in the standard lowercase, while this historically influenced typeface also nods to the powerful presence of the Trajan titling style with its SmallCaps set. When
Capitolina Font
Capitolina is a family of 10 typefaces with a contemporary design style, based on different historical models. The original shape of serifs was a reference to 19th century’s Clarendon types though this inspiration remains as a subtle feature of the
Legan Font
Legan is a font created by PeGGO Fonts, a very large typeface that follows the classical Trajan pattern, several geometrical proportions like root five, divine proportion (Golden Ratio), regular square, between other ones, same like Greek Trajan uppercase letters used
Strato Pro Font
Strato Pro font family is a modern serif typeface family with readability and legibility in mind. Inspired by Classic Roman typeface design, Strato Pro has 16 weights, ranging from book to black with small caps and an ornament set if
Turquoise Font
Many calligraphers agree that Roman Capitals is one of the most beautiful yet difficult hands to master. Its beauty lies in its simplicity of form and structure, yet understanding and applying these skillfully can take years of mindful practice. My
Chelsea Font
Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea
Paganini Font
Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its
Petala Pro Font
Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a
Marcus Font
Marcus, the font, was named after the Roman Emperor Marcus Ulpius Traianus (Trajan) born 18 September 53 in the Roman province of Hispania Baetica (in what is now Spain), a province that was thoroughly Romanized, in the city of Italica.
Roman Extended Lightface Font
The Roman alphabet has seen endless variations in interpretations of its classical form, and various wood type styles managed to explore everything from XXX condensed to hyper extended and expanded. This delicate and handsomely proportioned extended Roman was issued by
Panton Font
Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures •
Glober Font
The Glober font family includes 18 weights – nine uprights with nine italics. It is characterized by excellent legibility in both – web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by
Sinffonia Font
Sinffonia is a beautiful ornamental font family. Its thin weight and roman style makes very elegant and ideal for any high quality project. Published by Corradine FontsDownload Sinffonia
Mussica Font
Mussica is an ornamental hybrid font derived mainly of transitional and Didone styles but including some script and uncial quirks too. Its proportions and measurements aren’t conventional giving a very special look. The family consists of two fonts which could
Desire Font
With over five years of design and development, Desire is a pursuit of epic proportions and ready to make a statement by adding elegance and unique flair to your next design project. Cultivated by his passion of letters, Charles Borges
Steinburg Modern Font
Steinburg Modern™ is largely a variation on a Garamond-styled typeface with differences in some character designs and in the overall character proportions. In addition, the curved brackets that were a distinctive part of Garamond’s 16th century design are perhaps the