Tag: rounded

Goudar HL Font

From the old days technique to the present technology of type design, Gouda is the font that meets in the middle. With the design that has acquired the essence of wooden type letterpress but added with our own modern twist.

Toriga Font

The Toriga typeface was named after the Portuguese grape variant known as Touriga Nacional. This fun typeface boasts the features of a well-balanced, versatile, modern sans which is highly legible as a text font and with a clean, elegant look

Burobu Font

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes

Cool Daddy Font

It’s a brand new year, but I have been going back in time. To the seventies to be precise. A ‘bubblegum’ font was on the top of my to-do list, so when it was finally finished, it reminded me of

Spiced Pumpkin Font

I don’t know about the weather on your side of the globe, but here it is mighty cold! I was trying out a new technique of font-making AND I was craving a pumpkin spice latte, so I named this font

Betm Rounded Font

Betm Rounded is a warm, approachable sans serif with a high degree of legibility, even in small point. It displays a casual persona with an underlying sophistication that makes it appropriate for a wide variety of design projects. Betm Rounded

Huggy Font

Huggy is a display typeface designed by Michael Parson and inspired by the work of Heinrich Heinz. Full of Art Nouveau flair, this two weight typeface is bold forceful but full of subtle features that give the design a unique

El Enra Rounded Font

El Enra is a bold and condensed typeface that is suitable for headlines, posters and titles. This is the rounded corners version — El Enra Rounded. Published by Hanken Design Co. Download El Enra Rounded

Midpoint Pro Font

Midpoint Pro is a soft sans-serif typeface with a modern technical look. Its spurless design creates a perfect balance between static rigid verticals and softened endings. The interplay of open and closed forms suggests increased legibility in small sizes and