Tag: rounded
Karlsen Round Font
Designed and built in London by TypeUnion, Karlsen Round is a structured, functional typeface which embraces harmony, flow and versatility, but with a cheeky twist. The Karlsen Round Family is made up of 14 styles, which range from a delicate
Unpack Font
Unpack is a soft and inviting face. It is available in two cuts, upright and slanted, both all-caps with 2 options for each letter for a nice uneven organic look. The family counts also with a picture font, loaded with
Cavole Slab Font
Cavole Slab is a new slab serif, designed in early 2011, that has a strong influence from Dutch typography. The name is an altered form of the Portuguese word for feather, emphasizing the typefaceís soft and friendly character. Slab serifs
Blow Up Font
Type designer Hannes von Döhren created a display typeface called Blow Up. A bubbly, sweet font with nice light effects. Perfect for use in big sizes on posters or flyers. You can use Blow Up Sans Published by HVD FontsDownload
Orion MD Font
A font where each word that’s set approaches becoming its own logo is how some have described this unique typeface. Originally inspired by an enamel sign he picked up at a Paris flea market, Michael Doret says that the seven
Ainslie Sans Font
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city,
Checkpoint Font
Checkpoint is a condensed, display typeface family that contains three weights and their italics. Ranging from light to bold, this typeface can be used for short passages of text or for display uses like signage or tv titling. The font
Italo Font
Italo is a decorative, friendly, san-serif handwritten font. This font will provide an informal, cute look to your work! It can be used for small ammount of text, and display usage because of its glyph quality. Italo offers OpenType features,
Vezus Serif Font
Vezus Serif is a legible slab design created by Dusan Jelesijevic. Published by Tour de Force Font FoundryDownload Vezus Serif
Necia Font
Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can
Alphabet Soup Pro Font
Designed by Steve Jackaman. In the early 1980’s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced
Tecnica Slab Stencil Font
Tecnica Slab Stencil font family is the stencil version of Tecnica Slab font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Slab Stencil consists of 8 styles. The 4 “Stencil 1” styles contain
Normalise Din Font
Normalise Din is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Normalise Din
PF Isotext Pro Font
This typeface is based on iso 3098, a technical documentation issued in 1974 by ISO International Organization for Standardization, which proposed a set of characters for use on technical drawings and associated documents Isotext is based on the original standards
Simplo Soft Font
Simplo Soft is the soft companion of Simplo. In Simplo Soft, Simplo’s original sharp geometrics have been tempered by the moderate rounding of the edges of its characters — creating a softer and friendlier geometric typeface. Simplo Soft is ideal
Sheila Font
Sheila strikes the perfect balance between casual handwriting and careful calligraphy, making it both approachable and aspirational. Put Sheila’s airy, breezy letterforms to use in friendly or feminine settings like inspirational quotes and fashion layouts. Contextual alternates and ligatures lend
Bulo Rounded Font
Bulo Rounded is a real Rounded: not only the beginning and the end of the strokes are rounded, but also the counters and the intersections of the glyphs. The result is a smooth effect that brings a warm feeling, and