Tag: sans serif
Millar Font
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol. Published by The Northern
LeanO Sans FY Font
LeanO Sans FY is the newest companion of our existing font LeanO. This beautiful sans serif keeps the same width & weight and continues certainly some particularities like for example the big tail of the Q and the rounded K.
Wien Pro Font
Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm and individual lettering will get excited about a new addition to the font market. The more than complete Wien Pro front comes in
Aaux Next Cond Pack B Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Decima Nova Pro Font
Decima Nova Pro is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Features
Minuit FY Font
Minuit FY is a new script font inspired by medieval calligraphic elements. The very condensed forms have short ascenders, which affords a high x-height. Comes out in three weights from light to bold, Midnight will certainly bring pleasure to all
Muller Font
The very first sketches of Muller were made about four years ago. In the process, they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we
Posterface Family Font
Posterface Family was created by California Graphic Designer/Illustrator Tom Nikosey for his CozyFonts Foundry in November 2014. ” I create posters, logos, banners, labels and packaging for all industries from Sports to Entertainment, from Advertising to Consumer Products. I needed
Conifer Font
Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles
Necia Stencil Font
Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Aracne Font
Aracne was created as a regular handwritten font, with light and regular styles, it provides a wide range of possibilities. It’s recommended usage is for display titles, because of it’s good legibility and quality of characters. Published by AntipixelDownload Aracne
Via Sans Font
Via sans is a font inspired by classics like Steile Futura and Din 1451, with neo-humanist characteristics. It was designed as a font for fast reading from a distance, which saves horizontal space in the text composition, making it a
Dsari Font
It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less
Yard Sale Font
Last year I put out my old yard sale sign and the city told me it was violating a bylaw for being too ugly of a sign in a public place. Not this year! This year I used BLKBK’s ‘Yard
Unicod Sans Condensed Font
This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in
Bobbin Cyrillic Font
To design a font Bobbin I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. In the Bobbin family, every variety contains 3 alternative
Gunar Font
A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These