Tag: sans serif
Estandar Rounded Font
Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signal in central park and Europe. Is a Condensed sans with their tall x-height, the family has 6 Weight, its italics and a dingbat. It is
Karlsen Round Font
Designed and built in London by TypeUnion, Karlsen Round is a structured, functional typeface which embraces harmony, flow and versatility, but with a cheeky twist. The Karlsen Round Family is made up of 14 styles, which range from a delicate
Aaux Next Pack B Font
When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building
Becker Gothics Font
The Becker Gothics pay homage to the nineteenth century American lettering master George Becker. Designer James Puckett has given new life to the ingenious gothic alphabets found in Becker’s 1854 lettering manual Ornamental Penmanship. Use this quintet of typographic voices
Grota Font
Grota is a very expressive font, has a gestural character inspired by the hand lettering. Grota is grotesque, unicase and exceptional. It has six weights ranging from thin to black with their italics. Grota is ideal for logos, brands, magazines,
Qwincey FY Font
Qwincey is a new fresh & elegant font family available in five weights. With its flared and sharped endings, this font will give beautiful style to your layouts. With its round and generous proportions, its single storey lowercase a, open
Rufina Font
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like
The Hand Font
The Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and finely balanced handwritten font, to work well in every kind of design. We also designed two
Ainslie Sans Font
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city,
Checkpoint Font
Checkpoint is a condensed, display typeface family that contains three weights and their italics. Ranging from light to bold, this typeface can be used for short passages of text or for display uses like signage or tv titling. The font
Italo Font
Italo is a decorative, friendly, san-serif handwritten font. This font will provide an informal, cute look to your work! It can be used for small ammount of text, and display usage because of its glyph quality. Italo offers OpenType features,
Sudsy Font
Sudsy has been copied out of that school project you did when you were 12. Spending two weeks of homework time on the headings got you the most unfair C ever! The two Sudsy fonts give you the ultimate soapy,
Necia Font
Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can
Mangerica Italic Font
The italic version of Mangerica is deeply rooted in the calligraphic heritage of the Italics. This way the brush inspired strokes are emphasized as well as an overall calligraphic look. Far from being a mere slant, Mangerica Italic had every
Sundowners Font
Sundowners is a smiley face. It is a versatile font, with a pocketful of cool interlocking glyphs for those days of groovier moods. It also brings a handful of amusing initial and terminal forms and a couple of ornaments. That
Rowton FY Font
Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez,