Tag: sansserif
Ela Sans Font
“Ela Sans” is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is – of course – Michaela. Ela – the typeface – is suitable for
Designer Script Font
“Designer Script” is a very cool script, that has only one objective and that is pure transportation of information. Attracting as little attention to the script itself as possible. Published by Wiescher DesignDownload Designer Script
Ela Demiserif Font
Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela – the typeface – is suitable for magazines, newspapers, posters, advertisements, books,
Copperplate Deco Font
“Copperplate Deco” is my sparingly decorated version of my Copperplate fonts. They can be used as stand alone fonts. Published by Wiescher DesignDownload Copperplate Deco
TT Teds Font
Teds is a geometric non-serif with narrow proportions created for universal application in any types of text. Relatively tall lowercase characters, open forms of semicircular characters, and low contrast between vertical and horizontal lines make this font type easy to
Alpha Delta Font
“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta
Take Five Font
“Take Five” is a very jazzy typeface. It is more Swing than Bebop but it also evokes memories of the Cool Jazz era. Take Five can be used for jazzy covers or childrens birthdays as well as jumble sales leaflets.
Viata Font
“VIATA” is my new experimental Sans again based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “VIATA” has flat tops and round bottoms,
Alpha Bravo Font
Alpha Bravo was born on a napkin. I was just doodling, playing around with letterforms when the ballpoint glided a little bit too far and suddenly I had my first letter with the dash sticking out on the left of
Supra Rounded Font
“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an
Supra Compressed Font
“Supra-compressed” designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and
Planet Rouge Font
The latest font from Vintage Type Co. – Planet Rouge! Planet Rouge is a constructivist inspired display font that comes with a rough inked version, as well as multilingual support including basic cyrillic! Languages supported: Belarusian, Breton, Bulgarian, Catalan, Czech,
Supra Mezzo Font
Supra Mezzo designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, aweight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
Greycliff CF Font
Rugged, hearty, and warm, Greycliff© CF is a versatile font family. Strong capitals and a smooth, open lowercase are effective in a variety of applications. The geometric, near-monoline construction lends Greycliff a classic durability, tempered by softened edges and vibrant
NotaBene Font
“NOTABENE” is a new, squarish, narrow, technical font– designed by Gert Wiescher in 2015 – has 7 weights with corresponding oblique cuts. “NOTABENE” is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen
Cervo Neue Font
Font Cervo Neue is the new perfected and extended version of Cervo containing 18 varieties. It differs from its previous version with the higher accents over glyphs, enlarged punctuation, nautical numerals and newly added varieties Semi Bold, Bold, Extra Bold