Tag: sharp
YWFT Caliper Font
YWFT Caliper was originally created as a unique-yet-readable bitmap typeface. While it works well onscreen at small point sizes, it also can be used at larger sizes for retro-style headers and attention-grabbing statements. YWFT Caliper also contains two free bonus
YWFT Blackgold Font
Challenging Stage! YWFT Blackgold was originally designed as a second extension to YWFT Caliper. It is a thick, chunky, video game-inspired pixel font that works great in digital- and retro-themed projects. (And of course for entering your name in the
LTC Glamour Font
Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus and designed by Imre Reiner. Designer Colin Kahn has added some unusual variants to this family, illustrating that glamour can be taken too far and have
Ambient Font
When you push the stage props of life aside, there will remain the truth… Ambient is a desconstructed sans-serif font which captures the essence of basic Roman letterforms…with a few twists. Ambient was designed by Gabor Kothay, Szeged Hungary. Gabor
Vendome Font
Designd by Francois Ganeau, Vendome is an intense and sharp serif design. It works great in header uses, and even holds an interesting sense of fashion and style when set in large sizes. Published by URW Type Foundry GmbHDownload Vendome
Mynaruse Font
Mynaruse is an elegant and regal roman inscriptional titling family. It has sharp and elongated serifs that give the face extra punch. The face shines in settings that call for elegance and splendor. Mynaruse’s six weights range from a fine,
Heliotype Font
The delightful calligraphic appearance of this all capital typeface is heightened by a controlled, textured edge and a whimsical, free-flowing embellishment running throughout. Hazel benefits from slightly wider than usual letter and word spacing. Created by accomplished British designer Phill
Mafra Display Font
Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and
PF Synch Pro Font
An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the
Kumlien Pro Font
Kumlien Pro is the revival and expansion of a typeface designed in 1943 by Akke Kumlien, the famed Swedish book designer, poet, author, painter and arts materials expert. At the time, being the first major Swedish typeface to be designed
Lumier Font
Inspired by art deco posters from the period between WWI and WWII, Lumier comes in 3 weights with the proportions of a modern sans families. Published by Tour de Force Font FoundryDownload Lumier
Valet Font
Valet is inspired by an uncredited early 1970s all-cap film type called Expression. A very funky lowercase was added and a small caps style was made. The character sets of both styles were also expanded to include support for Central
Cotillion Pro Font
Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim's nostalgia at the deco type designs he was exposed to as a child, it distinctly shows a type designer who
YWFT Morricone Font
YWFT Morricone is a combination of egyptian and italian slab serifs from the 1800s, with also simple geometric forms continuing from mid-century modernism. The design is a unicase setup, with alternates for the uppercase in the lowercase options. Although similar
Columna Font
Designed by Max Caflisch in 1952 for the Bauersche Giesserei Type Foundry, Columna is a sharp serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Columna
Kardanal DT Font
Kardanal DT is a decorative font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Kardanal DT
Xcetera Font
Work for the Xcetera typeface started with the desire to create a classical serif design but using the less contrasted stroke thickness found in a host of sans serif designs. My aim was to retain some of the clarity found