Tag: simple
Smoothline Font
Smoothline Script is a calligraphic style font design, published by Ambia. Published by AmbiaDownload Smoothline
Keymer Font
Talbot Type Keymer is inspired by Margaret Calvert’s Transport typeface, designed for the British road sign system in the early 1960s. Keymer mixes geometric and humanist traits to achieve a modern, clean, elegant appearance. It is a legible and versatile
Odisseia Font
Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with
mad Idol Font
mad Idol is inspired by “Thai Handwriting Exercise Book”, with rounded head and circular as “Thai modern classic form” which is the key concept for this sans serif type family. It comes with 4 weights, each weight includes extended language
Korto Font
Korto is a clean, elegant and highly legible, geometric text and display font. Inspired by classic sans-serifs such as Futura and Avant Garde, this stylish, minimal typeface is available in a comprehensive family of seven weights and is suitable for
Aquawax Font
Balancing sharp angles with soft rounded shapes, AQUAWAX is a geometric sans serif typeface family evoking a contemporary sensibility of digital smoothness and liquid connections. Optimized for maximum screen readability, it covers over 40 languages that use the Latin alphabet,
Naive Line Font
Naïve Line is an unusual handwritten serif font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed five weights, finely
Beatrix Antiqua Font
Beatrix Antiqua is a humanist sans-serif typeface designed by Francesco Canovaro. Beatrix Antiqua is part of the Beatrix Family that takes its inspiration from the classic Roman monumental capital model: its capitals are directly derived from the stone carvings in
Bw Modelica Ultra Condensed Font
Designed by Alberto Romanos, Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in four widths, each
Madelina Font
Madelina is a calligraphic style design, published by Ambia. Published by AmbiaDownload Madelina
Blue Sheep Font
It’s been a while since I named a font after a sheep, so I figured it was about time. The Blue Sheep, or Naur (Pseudois nayaur), is actually an existing species of sheep. It is found in the Himalayas and
Bw Modelica Expanded Font
Designed by Alberto Romanos, Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in four widths, each
Bw Modelica Condensed Font
Designed by Alberto Romanos, Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in four widths, each
Little Boy Blue Font
I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself – really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little
Oranjerie Font
Oranjerie is a very nice, handmade and legible font which will fit in just anywhere. The glyphs differ slightly in width and height, giving it a unique look. Upper and lower case letters can be freely interchanged. Published by Hanoded
Karben 105 Font
Karben 105 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 105 is available in
Monolog Font
Monolog is an especially monolinear rounded display typeface, designed to work great alongside monoline illustrations, logos and icons, while still performing well in some text settings. A number of contemporary quirks in its construction establish visual interest, while Monolog’s clean,