If you still think that a serif font is a typeface with a strong historical character that difficult to apply in modern realities, meet the new typeface from TypeType! TT Livret is an elegant, modern and functional serif font featuring
A Stylish Technology Sans Serif Initiate began as a digitization of a film typeface from LetterGraphics in the early 70’s known as “Kent”. The original specimen was only in a Black weight with a tall x-height and included standard Capitals,
Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam
Be at the forefront of the newest font technology. You love handmade fonts & now with new SVG font technology, software is finally allowing you to own truly realistic typefaces. Bolder is a realistic Brush/Marker typeface using Opentype SVG to
Extenda is a variable width sans serif type family designed by Francesco Canovaro with Andrea Tartarelli and Cosimo Lorenzo Pancini.It been created to provide designers with a powerful but flexible tool to create strong headlines, logos, and display text with
TT Jenevers is a modern serif with Dutch flavor. The font family features the characteristic details peculiar to Dutch serifs—these are the asymmetrical shape of serifs and an irregular slant of ovals. For example, in the letter “o” there is
Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude. The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use. Lighter weights
Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and
Cocogoose is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been softened by rounded corners and slight visual corrections that make Cocogoose not only perfect for logos and
Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black,
Heading Pro Ultra Compressed is a variant of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. Each Heading Pro typeface includes over 800 characters with coverage for 100+ languages using latin, cyrillic and greek alphabets. A full
Heading Pro Medium, Heading Pro Double and Heading Pro Treble are three variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. These three medium width families have been added to the original condensed width family to
Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamilies—Display, Fine, Stencil, and Text—were created to work harmoniously together based on the need. With weights
TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the
Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. These two extended width families have been added to the original condensed width family to be used for
TT Commons Classic is a universal sans serif with a minimal contrast of strokes, a closed aperture and geometric shapes of characters. The design of the typeface was developed for the widest possible range of tasks with which any quality
Aristotelica is a sans serif rounded geometric type family. This font shows its strengths mostly in display uses and logo design. A text variant, Aristotelica Text, has been developed for 7 out of the 8 display weights, applying slight corrections
