Tag: smallcaps
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Copperplate Classic Medium Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Light Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Dylan Font
“Dylan” is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights
Eleganza Font
“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
Haboro Font
Haboro is a powerful workhorse. It’s a neoclassical font developed for numerous uses, ranging from editorial and corporate to web pages and apps. This new face from insigne Design takes a modern twist on the high-contrast typeface genre known as
Rawer Font
Another borrring sans? No way! Rawer – simple, strong, raw, robust sans with stencil and inline weights. And again it’s inspired by soviet typography. Published by GaslightDownload Rawer
Neutro Font
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display
Animo Font
Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for
Runde Wien Pro Font
Runde Wien Pro – rounded corners for urban fonts Runde Wien Pro completes the Wien Pro typeface family by the complete font sets with rounded shapes. The more than complete typeface family covers the same weights and styles as the
Capitolina Font
Capitolina is a family of 10 typefaces with a contemporary design style, based on different historical models. The original shape of serifs was a reference to 19th century’s Clarendon types though this inspiration remains as a subtle feature of the
Schar Font
A humanist sans designed like a serif with high-stroke contrast, but without serifs. Calligraphic forms and consistent angle axis are combined to create a fluid and dynamic personality. Schar is a balanced sans serif with classic proportions ideally suited for
Basil Font
A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects – editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed
Fantasy Font
As Typesenses believes that `Letters need a touch of Magic´, Sabrina Lopez presents her new creation, a burst of innovation: Fantasy. This display font arises from the mix between Roman Style and Lombardic Decorations, with a little air of Medieval
Pekora Font
To design a font Pekora I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. Published by Typoforge StudioDownload Pekora
Register Serif Font
Register Serif is a typestyle inspired by the clean generic handwriting specimens from an old Speedball booklet modified for more friendliness and finesse. This typestyle offers a range of weights and also comes with a series of smallcaps versions allowing