Tag: smart

Marine Font

Marine is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Marine to work well as both a text and display font. It also includes an Up version and calligraphic features

PF Fusion Sans Pro Font

Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with

Prumo Text Font

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast fonts, is a sort of typographic journey, from the eighteen century typefaces to the nineteen century slab serif

DietDidot Font

The typeface was designed at Double Alex Font Studio by Alexey Chekulaev in 2006 based on Dido by Firmin Didot, 1799. Published by ParaTypeDownload DietDidot

Abandon Font

A sans-serif font family of five weights designed for headline and text use, with old style numerals and small caps, and extensive kerning. Published by Suomi Type FoundryDownload Abandon

Gram Font

Gram is very clean sans serif font with multiple weights. Published by TypesketchbookDownload Gram

Congress Font

Congress is a unique and creative font release by the German type foundry, URW. Designed by Adrian Williams in 1980. Published by URW Type Foundry GmbHDownload Congress

Ambient Font

When you push the stage props of life aside, there will remain the truth… Ambient is a desconstructed sans-serif font which captures the essence of basic Roman letterforms…with a few twists. Ambient was designed by Gabor Kothay, Szeged Hungary. Gabor

Dada Sans Pro Font

Dada Sans Pro is simple in form but elegant font with huge language support and OpenType features such as ligatures, stylistic alternates, ordinals, fractions, four variations of numerals and many more… It is suitable for large headlines in applications like

Cello Font

Cello is a versatile typeface, great for display and short texts uses. It supports many languages having diactricial characters and accent for most European languges. Published by Michal AdamiecDownload Cello

Maxima Font

Released in 1990 by German type foundry URW Studio, and designed by G. Wunderlich, Maxima is a clean, simple and effective sans-serif font design. Published by URW Type Foundry GmbHDownload Maxima

Solido Constricted Font

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido Constricted

Filmotype Yukon Family Font

Filmotype Yukon is inspired by the classic Palmer style of penmanship made popular in the late 19th and early 20th centuries. Originally released in the late 1950s, Filmotype Yukon has been meticulously redrawn from the original font filmstrips and has

Mafra Display Font

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and

Filmotype Fashion Font

Initially designed in the early-to-mid 1950s, Filmotype Fashion picks up where Futura left off but with a looser take on a geometric design and drawn wider to capture a more sophisticated 1960s visual aesthetic yet it retains a classic and

Ultra Condensed Family Font

Ultra Condensed is a 3 font family with a full character set. Ultra Condensed is a remastering of Tall Skinny Condensed from 1999 which continues to be a favorite. While similar, the fonts are not interchangeable. Shapes of some letters

Lupo Font

Font Lupo is the younger brother of Kapra. However, unlike Kapra it is characterized by the sharpness of the finish. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that appeared from Mai

Xcetera Font

Work for the Xcetera typeface started with the desire to create a classical serif design but using the less contrasted stroke thickness found in a host of sans serif designs. My aim was to retain some of the clarity found