Tag: spencerian
Margarita Font
Margarita Light Font is formal script font with multilingual support. Is ideal for wedding invitations, magazines, social media, restaurant menus, greeting cards, birthday invitations, headers and many more. This brush font comes with a complete set of lowercase and uppercase
Kasandra Script Font
Kasandra Script is a script font design published by Great Studio Published by Great StudioDownload Kasandra Script
Flourish Typeface Font
With the new Flourish Typeface every single word becomes magnificent. It is a font with lots of alternates and OpenType features, perfect for a design that stands out even if it’s a logo, packaging, web, homeware design or simply a
Pointino Font
“Pointino” is a very pointed script. It comes in three versions: Pointino-A has good looking curves, Pointino-B has more of those good looking curves and Pointino-C has fewer, but still sensational curves. Pointino is very sexy, as sexy as typefaces
Artegio Font
“Artegio” is an elegant, joining, classical script with impressive horizontal swirls. I designed an comlementary set with simpler capitals, lower-case ending letters and medieval ciphers. Published by Wiescher DesignDownload Artegio
Dyane Font
Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for its counter strokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Published by Wiescher DesignDownload
English Script Font
“English Script” is the classic spencerian english script. I always wanted to do one of these, now finally I did. Published by Wiescher DesignDownload English Script
Flourishes A Font
“Florishes A” are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer Gert Wiescher Published by Wiescher DesignDownload Flourishes A
Poem Script Font
Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called “Italian Alphabet” stemming from an old penman’s term for an alphabet where the
Maris Font
The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these
King Bloser Font
King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the
Almibar Font
Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus. Published by Corradine FontsDownload Almibar
Quarzo Font
Quarzo is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will
Business Penmanship Font
Business Penmanship is an ode to the business handwriting from the era penmanship was a highly-valued part of business education and practice. In the early 1800s, Platt Rogers Spencer (1800-1864) created what would become the most widely accepted and prized
Antique Spenserian Font
This antique script is based on Spencerian script released from MacKellar, Smiths, & Jordan in the 19th century. This family comes in two varieties, Standard and ornamented capitals. The Standard has orthodox style for formal text and display. This makes
Parfumerie Script Font
Typesenses presents Parfumerie Script, designed by Sabrina Lopez. With more than 2500 glyphs, Parfumerie is unique amongst the others in its style because it is based on the author’s calligraphy. One of its variables is a Decorative option which combines
Mercy Font
This Ladies’ Hand Style font is very (somewhat) similar to ornamental penmanship, but uses slightly longer ascenders and descenders and a modest shading. Originally the Ladies’ Hand had less flourishings, which was ideal for writing long letters. Even though its