Tag: square
Bank Gothic Pro Font
If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in
Tecnica Slab Stencil Font
Tecnica Slab Stencil font family is the stencil version of Tecnica Slab font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Slab Stencil consists of 8 styles. The 4 “Stencil 1” styles contain
PF Isotext Pro Font
This typeface is based on iso 3098, a technical documentation issued in 1974 by ISO International Organization for Standardization, which proposed a set of characters for use on technical drawings and associated documents Isotext is based on the original standards
Bommer Slab Font
Bommer project started in January of 2014 and I am happy to announce the first family – Bommer Slab – is now ready for release. This family includes 14 weights – been seven uprights and seven italics. This font has
Offense Font
Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room
P22 Kells Set Font
The Book of Kells is a ninth century gospel created in the British Isles and is considered to be the finest existing example of early Celtic art. The book itself is now housed in the Trinity College Library, Dublin. This
Guillotine Font
Guillotine is inspired by an uncredited early 1970s film face called Rhythm Bold. While the original film type had plenty of round forms that were uneven and somewhat badly drawn to fit within the overwhelming pop wave of the time,
LTC Squareface Font
Designed by Sol Hess in 1940 as a variation of Stymie Extrabold, but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to
Iron Maiden Font
Designed by Steve Jackaman, Iron Maiden is a retro display face released by Red Rooster. Published by Red RoosterDownload Iron Maiden
Vector Font
Vector is inspired by the 1979 Atari Asteroids video game UI screen font, yet it has been completely reworked to achieve a more balanced and refined visual aesthetic, loosely adhering to the original source. Letterform widths, angles, metrics and kerning
Neue Konstrukteur Square Font
Engineered font with a hint of heritage blackletter, this font inspired by a trip to Germany comes in two styles: Square and Round. Each has five weights from Thin to Black with accompanying italics. That makes 20 font files in
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Dungeon Font
Designed by Steve Jackaman, Dungeon is a type design based loosely on a VGC design, Serpentine, circa 1970. Published by Red RoosterDownload Dungeon
Flywheel Regular Font
Although Flywheel™ was designed in the early 90s, its design was popular in the 80s and remains popular today as an iconic look for futuristic themes: books, movies, arcade games and packaging. The design is rigid, geometric, straightforward and yes,
Pancetta Serif Pro Font
Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real
Radiant Font
Designed by R.H. Middleton. Digitally engineered by Steve Jackaman. Based on the original Ludlow drawings, circa 1938. Published by Red RoosterDownload Radiant
Quarca Font
Quarca’s masculine power runs strong across the page with bold self-assurance and a raw energy that courses through its thick veins. Don’t think the continuous, smooth geometry of this semi-modular face is captively chained to the grid, though. Quarca has