Tag: square
Ruda Slab Font
Rauda Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a display, slab serif, geometric typeface, with sharp angles that provides a strong and solid appearence. Rauda Slab consists of 8 styles.
Yekuana Font
Yekuana is a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan signs, visually rich and originally used in the enrichment of various utilitarian objects with high symbolic and cultural content. Yekuana is a
Crypt Font
Crypt is a seemingly lovely font that will look good in just about any design. But if you take a closer look, then Crypt is actually quite a scary font: it has jagged edges and a sinister undertone, making the
Design System Font
Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target
Yellow Balloon Font
Yellow Balloon is a typeface named after my two year old son’s favorite book: The Yellow Balloon by Dutch author/illustrator Charlotte Dematons. Every night before he goes to sleep, he wants to read the book and manages to find the
Cabulosa Font
Cabulosa is an experimental unicase font based on Brazilian street lettering. The rounded forms join together for horizontal as well as vertical rhythm. Cabulosa is an excellent font for display headlines, posters, and magazine type treatments. Published by Frederico AntunesDownload
Irena Font
Irena is a cubist/expressionist font inspired by Vojtěch Preissig. Preissig (1873-1944) was a Czech typographer, printmaker, illustrator and teacher, whose work was influenced by Japanese Art and Symbolism. During WWII, Preissig supported the Czech resistance and he was arrested in
Petit Four Font
A “Petit Four” is a small, bite-sized, French pastry. The font before you is a bite-sized Hanoded original. It is handmade, fun to use and comes with a lot of calories. Like its namesake, use Petit Four sparingly and it
Kinghorn 205 Font
Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Kenwyn Font
Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular
Astromonkey Font
Astromonkey – here he is, all new, all excited to be alive! Astromonkey comes from outer space, where he has rubbed shoulders with the Star Trekkers, the aliens and Major Tom, who is still floating in his tin can. The
Kinghorn 105 Font
Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Kursk 105 Font
A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the square look. Related to Kursk 205, its slightly rounder cousin. Published by
Katzenjammer Font
Katzenjammer is a German word meaning ‘Cat’s Wail’ – it is used to describe a hangover. Katzenjammer font is a slightly eroded, squarish typeface, which would be ideal for headlines, packaging, posters and websites. This all caps font comes with
Kampen Font
Kampen is a minimal, modular, monospaced font. There are two variants, each available in two styles. The two variants — Block and Pixel — differ considerably in look, however the characters in both are designed using the same 7 x
Cartograph CF Font
A monospaced typeface with character and warmth, Cartograph© CF is a handsome font family featuring a lush, cursive italic, code-friendly ligatures, and a proportional set accessible via OpenType. A tribute to the utilitarian beauty of terminals and typewriters, Cartograph excels