Tag: stencil
Ironstrike Font
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights emphasize white space and powerful heavy
Old Depot Font
Old Depot is a newly reworked idea for the Depot Trapharet 2D font. It supports more languages and is available in more lettering. Old Depot stands out with its industrial nature of archaic spirit. It is a wonderful choice for
Realtime Stencil Rounded Font
Realtime Stencil Rounded is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself
Dogjaw Font
Dogjaw contains 52 OpenType features that automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Published by AerotypeDownload Dogjaw
Laski Slab Font
Laski Slab is a comprehensive suite of 20 fonts conceived for editorial purposes. The type family was designed by Paula Mastrangelo, an Art Director with extensive experience in editorial design specialized in corporate communication. Originally developed for an online children’s
Hogwild Font
Hogwild uses OpenType features to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Published by AerotypeDownload Hogwild
Divert Font
Based on the outline of each character, Divert works by re-directing each outline as a single meandering stroke that moves back and forth to create a quirky yet clean typeface. The typeface contains an uppercase character set plus two lowercase
Tecnica Stencil Font
Tecnica Stencil font family is the stencil version of Tecnica font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Stencil consists of 8 styles. The 4 “Stencil 1” styles contain a narrow stem
Mr Darcy Font
The elegant and very graceful Mr. Darcy is sufficiently compete with its additional characters–to be stated more precisely, over 136 defining alternates. These optional features are carefully displayed within the supplied brochure. The employ of the Mr. Darcy family moreover
Clobber Grotesk Font
Clobber Grotesk Bold is a grotesk typeface family designed for high readability. It includes a range of weights and stencil variants. The terminals of the letterforms are slightly flared in order to increase legibility. Published by WordshapeDownload Clobber Grotesk
Cera Stencil PRO Font
Cera Stencil Pro is part of the Cera Collection is driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. Cera Stencil, with six weights, useful dingbats and arrows,
Sayer Interview Font
Sayer Interview is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Sayer Interview
Necia Stencil Font
Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
YWFT Reversion Font
YWFT Reversion is an interestingly wide and versatile display type design, perfect for a striking headline or an attention-grabbing poster or billboard. One of YWFT Reversion’s strengths is its ability to help any designer start custom lettering jobs with a
Twine Font
By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated
Becker Gothics Font
The Becker Gothics pay homage to the nineteenth century American lettering master George Becker. Designer James Puckett has given new life to the ingenious gothic alphabets found in Becker’s 1854 lettering manual Ornamental Penmanship. Use this quintet of typographic voices