Tag: streamline
Marseille Font
Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each
Javelin Font
Designed by A. Pat Hickson, Javelin is a sport-like and retro font design. Published by Red RoosterDownload Javelin
CA Spy Royal Font
Spy Royal is a junctionless script typeface and comes in 6 styles. It’s a hybrid between script and so called streamline fonts. The origins are based on an advertising by Japan Airlines, dated around 1954, offering flights to San Francisco,
CA Capoli Font
CA Capoli is a fine script typeface with a vintage touch. Perfect for illustrative titles or logotypes. It comes in two styles, Regular and Stroke. The inspiration came during our trip to Italy, where we took a short rest in
Deliscript Font
Although initially inspired by the neon sign in front of Canters Delicatessen in Los Angeles, the design of Deliscript Upright and Deliscript Slant soon took on a life of its own and its own distinctive look. Like its sibling Metroscript,
Spire Extra Light Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this extra light revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by
Transat Text Font
Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco “Transat”. Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also
Creighton Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Spire Monoline Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this monoline revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by FontHausDownload
Bokar Font
Much of my inspiration comes from imagery and style that technology has rendered obsolete. I treasure anachronistic artifacts of packaging and design which have somehow evaded obliteration by focus groups, and manage to still be a part of our visual
Spire Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this period revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by FontHausDownload