Tag: swash

Melkslijter Font

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also

Natalya Font

Natalya is a flashy and rhythmic script. The script has more space between characters than most for better legibility, and the basis point for the ornate swirls is the golden ratio. This makes for an especially harmonious typeface with timeless

Youngblood Font

Youngblood is a non-connected formal script with tall, sweeping ascenders and two alternates. These alternate forms can be mixed and matched for a custom look, and Youngblood is stronger in weight and is better suited for display work than most

Dulce Pro Font

Designed by Paula Nazal Selaive. Dulce Pro is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures

Genesis Font

Genesis is a digitization and expansion of a Frank Riley metal typeface called Grayda, originally published to much applause by ATF in 1939. The concept for this disconnected script is quite novel and original among cursives and calligraphic fonts: The

Encorpada Classic Font

Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release

P22 Victorian Set Font

P22 type foundry presents a font set created in conjunction with the Albright-Knox Art Gallery’s exhibition of Victorian-era French artist James Tissot. The fonts developed for the P22 Victorian set are based on historic typefaces dating from the late 19th

PF Bodoni Script Pro Font

“Always intrigued by Bodoni’s original work, I was set out -back in 2000- to examine his work and study ‘Manuale Tipografico’, one of the greatest specimen books ever printed. Issued in 1818 at Parma, Italy by Bodoni’s widow, the two-volume

In And Out Font

In And Out is an elegant and diverse script family of three weights and an ornament set. In And Out is equipped with plenty of OpenType features: To activate the alternates turn on Swash, Contextual, Stylistic or Titling Alternates or

YWFT Psychosis Font

Some folks say we’re too prone to hyperbole in these font descriptions, but we can’t help ourselves some times. And this is one of those times. YWFT Psychosis is THE CRAZIEST OpenType font we have ever released. No joke, you

YWFT Attic Font

This is about a journey, from humble EPS handset to magical OpenType glory that might even be a bit spooky if it wasn’t so darn majestic. This stately YWFT Attic is full of surprises, with gorgeous stylistic alternates and swash

Adriane Swash Font

The Swash version of Adriane Text features of the best characteristics of this lineage without losing the strong personality and elegant design featured in your text styles. Adriane Swash brings a fancy look to this classic style. The family comes

Avalanche Font

Avalanche is a fun casual typeface great for when a bold caption is needed. Published by Borges LetteringDownload Avalanche

Antique Spenserian Font

This antique script is based on Spencerian script released from MacKellar, Smiths, & Jordan in the 19th century. This family comes in two varieties, Standard and ornamented capitals. The Standard has orthodox style for formal text and display. This makes

Port Font

Port is an experimental Didone typeface with a modern twist, inspired in the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces. Port melts the straight lines and strong contrasts

YWFT Agostina Alternate Font

YWFT Agostina became one of YouWorkForThem’s most successful typefaces upon its release in 2008. With nearly 300 characters, special swash options and full Latin letter designs among other special features, YWFT Agostina offered up truly endless typographic possibilities and is