The headline font Raw Street Wall from Manuel Viergutz for the Typo Graphic Design Font-Foundry is a playful handmade and rough display font with 567 glyphs. Incl. extras like emoticons/icons and OpenType-Features. Have fun with this font & use the
Commuters Sans is a classic and simple geometric font design, published by Ryoichi Tsunekawa. Commuters Sans is useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. It consists of eight weights and
Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon’s design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant
Brock Pro celebrate the essence of the famous 19th century wooden letterpress type, Block Berthold by bringing out its remarkable features and explicate them in relation to the modern day trend. Brock Pro is a conventional font with a twist,
Designed by Moritz Kleinsorge, Bw James is a friendly and playful sans serif: The angled stems, branching spurs and ball terminals all contribute to a personable and friendly mood, while the mono-linear body makes the typeface appear fresh and modern.
Coco Gothic is a contemporary take on the retro geometric sans serif style of early 19th century typefaces like Futura and Avantgarde. It comes in six weights with matching italics and features an extended character set with open type support
Antipasto is a geometric sans serif font designed by Cosimo Lorenzo Pancini. The original family of three weights has been revised and expanded in 2017 with Antipasto Pro that now includes Cyrillic and greek characters, open type features (small caps
TT Norms Pro 3.0 in numbers: • 82 styles • 4 subfamilies (Condensed, Regular, Expanded and Mono) • 2 variable fonts • 1668 glyphs in each font • Support for more than 260+ languages: extended Latin, extended Cyrillic, Greek, Vietnamese,
Designer: Franco Jonas Hernández 2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of
Bidaq Brush is an informal and slightly distressed script design, published by Pixifield. Published by Pixifield Download Bidaq Brush
Noyh Geometric is an alteration of the original Noyh typeface that was published in 2015. In this new version, Typesketchbook has added sharper corners for a more geometric presentation, including an overall adjustment to the structure of typeface. As well,
Couplet CF is expressive and practical, with a blend of precision and warmth. A strong rectangular underpinning and slightly condensed construction support bright, attractive letterforms across seven weights. Couplet’s simple shapes and clean construction are designed to be used anywhere
Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but
Biotif is a 16 weight, geometric, sans-serif font design, inspired by modern style as well as industrial era graphic design. Published by Degarism StudioDownload Biotif
Publica Play is Publica Sans’ playful sister. It comes with loads of subtle open type features, tabular options, rare currencies signs and symbols and arrows – ‘Publica Play’ has everything you need for playful design tasks. Take a close look
Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate
Kontora is a basic and universal geometric grotesque design, that can be applied to various styles of layouts. It has minimum details, mostly modern proportions and letter forms, along with a touch of retro. Published by NaumTypeDownload Kontora
The great hype of Swisspalooza ’07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales