Tag: text
Quiet Sans Font
Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to
Gomme Sans Font
Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only
Buozzi Font
Buozzi is a family composed of 8 typefaces, inspired by sketches and notes from the printer, Paulista (Brazil) “Walter Buozzi”, suitable for Editorial Design (books, magazines and newspapers). Published by Cort9Download Buozzi
Deleplace Font
Deleplace is a modern, delicate and refined typeface that is both contemporary and hints at a classical past. Featured in 3 weights, this family includes an extended language support that covers extended latin and cyrillic scripts. It equally includes a
Zega Text Font
Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text
Sana Sans Font
Sana Sans is a humanist functional typeface with a modern feel. It is intended to be a face well-suited for multiple purposes, especially in publishing. Sana Sans looks perfectly legible and clean in long texts, and neat and simple in
Celdum Font
Celdum, a modern geometric type family, constructed from a rectangular grid. Smooth, precise curves meet horizontal and vertical lines to create a monoline design with no apparent contrast. Each letter shape has unique subtleties creating a purposeful type family suited
Neutro Font
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display
Globa Font
Globa is a low contrast round typeface that resembles American ‘Sign Painting’. The upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked
Stellar Font
Stellar is a slightly condensed sans serif type with a taller x-height to give it legibility and personality. It comes in four weights and was designed to give purpose to your ideas, galactic or atomic Published by Pangram Pangram Download
Charlevoix Pro Font
Charlevoix is a beautiful display typeface. It is strong and wavy like the Quebec region's beautiful landscape. Its slightly rounded corners remind us of older prints where letters were never sharp at the edges. It boasts 325 meticulously crafted glyphs.
Bw Modelica Font
Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in 8 weights with matching oblique italics. The
TT Slabs Condensed Font
TT Slabs Condensed it is a condensed version of our TT Slabs font family. This new version is designed for strong headlines and design presentations. Very well suited for designers who create Identity and logos, as well as for interior
Corporative Soft Font
Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
Yorkten Font
Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of
Grayfel Font
As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise
