Tag: thin
Couplet CF Font
Couplet CF is expressive and practical, with a blend of precision and warmth. A strong rectangular underpinning and slightly condensed construction support bright, attractive letterforms across seven weights. Couplet’s simple shapes and clean construction are designed to be used anywhere
Karmilla Font
Karmilla is a Didone based type design, that contains a strong contrast between thick and thin lines. Karmilla contains a wide range of language support, as well as OpenType features such as Swashes, Stylistic Sets, Small Caps and more. Published
Oblivian Grotesque Font
Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due the the rounded edges it has a very soft / warm look
Artico Font
Artico Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted
Halewyn Font
Heer Halewijn (The Song of Lord Halewijn) is a 13th century Dutch folk tale which survives in folk ballad. The story tells of a man called Halewijn, who lives in the woods and who lures pretty women with his songs
Opinion Pro Condensed Font
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Opinion Pro ExtraCondensed Font
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Fallen Angel Font
Fallen Angel is a modern calligraphic font with lots of character and unusual baseline. It comes with alternates for almost all lowercase letters and all of those are PUA encoded! That means that you will be able to access all
Opinion Pro Normal Font
Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Rostef Font
Rostef is a decorative serif font design, published by Grzegorz Luksza. Each style contains 464 characters, including an extended Latin character set. Published by Grzegorz LukszaDownload Rostef
Ravensara Sans Font
Ravensara is a contemporary, high contrast, sans-serif font family that contains 7 weight options. Published by NaumTypeDownload Ravensara Sans
Southside Fizz Font
Southside Fizz is a cocktail (made with gin, lime, mint and soda). Southside Fizz font was based on a single word in a 1930’s advertisement and my Palembang font. I did not have that many glyphs to work with, so
Ravensara Serif Font
Ravensara is an elegant, high contrast serif design that contains 7 weight options. Published by NaumTypeDownload Ravensara Serif
Cocotte Font
Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate
Umbero Font
Umbero is experimental blackletter design with high contrast, inspired by constructivism and modern calligraphy. Published by NaumTypeDownload Umbero
Kontora Font
Kontora is a basic and universal geometric grotesque design, that can be applied to various styles of layouts. It has minimum details, mostly modern proportions and letter forms, along with a touch of retro. Published by NaumTypeDownload Kontora
Brownhill Script Font
Brownhill Script is a script font design, published by the designer Sizimon. Published by SizimonDownload Brownhill Script
Syncopate Pro Font
The Syncopate Pro Family is a unicase design where the traditional lowercase x-height has been abandoned and a single uppercase height rules the design of all of the alpha and numeric glyphs. Some uppercase glyphs are copied to their lowercase