Tag: thin

Autumn Voyage Font

Autumn is my favourite time of the year: I love the colors in the forest, the colder temperature and the stormy winds. Autumn Voyage is a very nice set of hand made fonts: a fat one, a thin one and

Finland Rounded Font

Finland Rounded Font Family has been crafted from scratch with a structural logic of its own: a fusion of pure geometry and optical balance. Finland Rounded font family comes with 6 Styles, Regular, Italic, Thin, Thin Italic, Bold, Bold Italic.

Mezalia Sans Font

Mezalia Sans is a logical continuation of the Mezalia family. Its shapes are based on medieval calligraphic style: the Bastarda. This time the evolution is taken a step further, as these classic shapes are merged with the straightforwardness of a

Prota Standard Font

Prota Standard is a new super-clean sans serif font. Using it, you will instantly bring ultramodern and noble-tech look to your artwork (the one like Apple and Tesla have). Do you need a font which will present your business as

Yasashii Font

Inspired by Japanese cosmetic packaging from the early 1900’s, Yasashii makes for a beautiful Art Deco themed typeface. It’s thin lines and elegant curves even make it a perfect type choice for fashion projects of today. Published by Dharma TypeDownload

Liliana Font

Liliana is a geometrical typeface, born throughout comprehensive formal studies while testing new ways of displaying certain words and sentences. The essential structure of Liliana is very conservative: It can look similar to other geometrical typographies, however, it has unique features

Aceituna Font

Aceituna means ‘olive’ in Spanish. It comes from the Arabic Al-Zeitoun. I am multi-tasking today: finishing this font and thinking about what to cook for my family tonight (yes, I am the one who cooks!). We normally eat Asian food,

Crops Font

Crops is a sans serif font design published by Graphicfresh Published by GraphicfreshDownload Crops

Sonny Gothic Font

Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that