On the basis of the classical form, Shapiro meets all the requirements that are placed on a good font, such as good readability, a sympathetic overall impression, as well as a balanced gray-effect. Shapiro boasts horizontal and vertical strokes that
Temper Wide was designed in 2018 by type designer Jeschke in Berlin. The font consists of many cuts from light to bold and is formally based on its predecessor, Sequel 100. A characteristic feature of the Temper Wide is the
DoubleBass is a four weights display type family with a cartoon modern aesthetic, inspired by the film title design of Saul Bass. Its main feature is the programmed switching between two interlocking sets of uppercases resulting in a bouncy visual
Sequel 100 Wide was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical
In a pit of darkness, choked in fog on a black night, comes a clear message. Fingers clasping, lighting nerves and neurons, showing that the way was right here all along. It’s the Special Touch of a trusted companion–your best
You can’t Play Time, player. Time does not play. Mess around and it runs out, like quarters on a countdown. Try to hold it and it slips past, greasy and sinuous, leaving you falling, like leaves of a lost season.
He takes the novice’s hands in his hands and forgives his fumbling. Decades removed from that seat, but only months from his journeyman toil, the Master Works on his apprentice: Shaping hands to shape hands, such that eyes may perceive
He takes the novice’s hands in his hands and forgives his fumbling. Decades removed from that seat, but only months from his journeyman toil, the Master Works on his apprentice: Shaping hands to shape hands, such that eyes may perceive
Unfortunately we rarely meet typefaces which still show the formal quality of the time of our grandfathers or even the technical progress in their interior with the design of their exterior. A rare example is Sequel Rounded whose shapes combine
Sequel Sans is an homage to Max Bill, the influential mid-century Swiss architect, artist and industrial/graphic/type designer. Designed in cooperation with the Max Bill Georges Vantongerloo Foundation in Zurich, this is a modern response to the traditional Max Bill themed
Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga
This minimalistic and classy all-caps serif typeface features sleek lines and thin serifs. Perfect for gorgeous logos & titles, Manhattan will pair beautifully with many fonts and work well with whatever project you’re working on. Published by Jen WagnerDownload Manhattan
Denver is a romantic, timeless, and minimalistic all caps sans serif font that looks stunning in every context. With three different weights, it’s perfect for magazine layouts, invitations, headers, or even large-scale artwork. Includes: • capital letters • numbers &
This typeface was inspired by the 1820 classic writing “The Legend of Sleepy Hollow” by Washington Irving. I created it to feel 200 years old and 2 hours old at the same time. To call it “timeless” would be cliche,
Articulat© CF is a new take on the timeless Swiss typography style. Strong, sharp and well-spoken, Articulat was built to be versatile, charismatic and legible. Always in style, use it for a hit of mid-century beauty – reimagined for the
Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print
Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowadays use. Published by RMU TypedesignDownload Splendor Pro
Texta Narrow. More space for all. Through studying humanists’ models from Edward Johnston to Adrian Frutiger and the Gothic Alphabet made by sign painters comes Texta Narrow, a contemporary, rational, transparent and useful Sans to compose all kind of texts.