Sequel Sans is an homage to Max Bill, the influential mid-century Swiss architect, artist and industrial/graphic/type designer. Designed in cooperation with the Max Bill Georges Vantongerloo Foundation in Zurich, this is a modern response to the traditional Max Bill themed
Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga
This minimalistic and classy all-caps serif typeface features sleek lines and thin serifs. Perfect for gorgeous logos & titles, Manhattan will pair beautifully with many fonts and work well with whatever project you’re working on. Published by Jen WagnerDownload Manhattan
Denver is a romantic, timeless, and minimalistic all caps sans serif font that looks stunning in every context. With three different weights, it’s perfect for magazine layouts, invitations, headers, or even large-scale artwork. Includes: • capital letters • numbers &
This typeface was inspired by the 1820 classic writing “The Legend of Sleepy Hollow” by Washington Irving. I created it to feel 200 years old and 2 hours old at the same time. To call it “timeless” would be cliche,
Articulat© CF is a new take on the timeless Swiss typography style. Strong, sharp and well-spoken, Articulat was built to be versatile, charismatic and legible. Always in style, use it for a hit of mid-century beauty – reimagined for the
Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print
Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowadays use. Published by RMU TypedesignDownload Splendor Pro
Texta Narrow. More space for all. Through studying humanists’ models from Edward Johnston to Adrian Frutiger and the Gothic Alphabet made by sign painters comes Texta Narrow, a contemporary, rational, transparent and useful Sans to compose all kind of texts.
Splendor was originally produced and released in 1930 by Schriftgub AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from
The name Saluzzo is given to this font in honor of Giambattista Bodoni (1740–1813). Bodoni was born in the town of Saluzzo, Parma, Italy, and died at the age of 30. Saluzzo is a contemporary interpretation of Bodoni, retaining its
In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième follow the original Peignot Série 16
Abovea have been designed by M Fairuzulhaq, Process design derived by freehand scratches with sans sherif style and slightly italic. What are special of the Abovea font is the anatomy font itself (stem, terminal, stroke, bar, tail, bowl, counter, axis,
Nudely is a geometric display font family consisting of 8 font weights. The Nudely Duo is optional of the Nudely One font, you can see the most striking difference anathomy at the 'shoulder' and arch of stem in the letters
The P22 Platten font family has been revisited and expanded by designer Colin Kahn. Platten is based on lettering found in German fountain pen practice books from the 1920s (you may have seen the similar Speedball books in the US).
Vailsnick Italic is a new display font (2014) that has been designed by M Fairuzulhaq. It contains a combination of Sans, Italic, and Script designs with smooth flowing connections. It contains more than 1500 glyphs, supports multiple languages with Diacritical
