Tag: traditional

Americus Script & Sans Font

Americus Script & Sans was crafted by hand with love to traditional sign painting and american typography style in general. All characters have an imperfect shape that gives a natural look in design. It easily cooperating together and perfect for

The Legend Trio Font

This font trio was crafted by hand under inspiration of traditional american typography and lifestyle. Collection includes Script, Sans and Serif, which perfectly cooperating for creating a vintage mood. It can be used in different purposes: lettering and logotype, labels,

Addington CF Font

Addington is a graceful and reliable serif, useful in any situation. Beautiful yet practical, Addington is designed for excellence in text-heavy settings while doubling as a capable and strong display typeface. Complete with seven weights, true italics, and many OpenType

Knucklehead Font

Stand out in the crowd and spread your message across with a creative font family! The source of inspiration for this special font family was the American western culture. We wanted to create a font that offers the opportunity to

Tenez Font

TENEZ, A GRAND SLAM WORTHY POINTED NIB SERIF We designed Tenez for one of our branding projects – Coralinda, further developing the resulting logotype into a typeface we felt could solve many designers’ needs. Its origins are rooted in pointed

Garibaldi Font

Garibaldi is a text typeface based on humanist calligraphy. It has an organic look and feel, while preserves the traditional construction of roman typography. It all started with a desire to learn more about the origin of the strokes on

Gaulois Font

A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs

Steinburg Modern Font

Steinburg Modern™ is largely a variation on a Garamond-styled typeface with differences in some character designs and in the overall character proportions. In addition, the curved brackets that were a distinctive part of Garamond’s 16th century design are perhaps the

ATC Rosemary Font

ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts

DeLuxe Gothic Font

Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,

Bodoni Egyptian Pro Font

Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes