Tag: transitional

Soft Times Font

“Soft Times” has been easy on my nerves after the strain of “Hard Times”. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for “HardTimes”. Published by Wiescher DesignDownload Soft

Franklin Gothic Hand Font

Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called “pork-belly-ads”: ads

Hard Times Font

“Hard Times” has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the

Bodoni Classic Pro Font

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D).

Strato Pro Font

Strato Pro font family is a modern serif typeface family with readability and legibility in mind. Inspired by Classic Roman typeface design, Strato Pro has 16 weights, ranging from book to black with small caps and an ornament set if

Anglecia Pro Text Font

Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different

Chelsea Font

Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea

Paganini Font

Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its

P22 Late November Font

P22 Late November is a new font family from Norwegian type designer Torliev Sverdrup. The font is a transitional Antiqua-inspired type design great for text and display uses Late November is a transitional Antiqua-inspired type design. Says Torliev: “I started

Fashion Font

The well-known British designer Alan Meeks elegantly reworked Fashion Compressed No.3 to produce this beautiful, condensed engraved typeface. The fine line weights make it ideal for application wherever a slender feminine effect is desired. Published by LetrasetDownload Fashion

Tzigane Font

Tzigane is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Tzigane

Madrid Font

Designed by Steve Jackaman, Madrid is based on the typeface Nacional by Carlos Winkow from the Spanish foundry, Nacional (1941). Published by Red RoosterDownload Madrid

Copacabana Font

Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst

P22 Late November Pro Font

Late November is a transitional Antiqua-inspired type design. From the designer: “I started working with the design one dark, late November night, two years ago. After two years of work, I felt I had to draw the line and consider

Isonorm Font

Isonorm is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Isonorm

Rufina Font

Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like

Portobello Font

Designed by Steve Jackaman, Portobello is loosely based on Pontecorvo, a design by Aldo Novarese. Published by Red RoosterDownload Portobello