Tag: transitional
Belwe Font
This slab serif Egyptian style is based on the popular Belwe series. The contemporary monolineal treatment of its letters makes it suitable for almost any headline requirement. Developed by well-known British designer Alan Meeks. Published by LetrasetDownload Belwe
Generation Gothic Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Adriane Swash Font
The Swash version of Adriane Text features of the best characteristics of this lineage without losing the strong personality and elegant design featured in your text styles. Adriane Swash brings a fancy look to this classic style. The family comes
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
Classic XtraRound Font
Classic XtraRound is a companion typeface to Classic Round, designed by Ben Blom. Although Classic Round has a lot of roundness, Classic XtraRound has more. Classic XtraRound has maximum roundness — no sharp corners, anywhere. Classic XtraRound has maximum roundness
Magneta Condensed Font
To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like
Eurostile Font
Eurostile is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Eurostile
Sommet Serif Font
The Sommet superfamily has been updated with a new serifed member. Expanding on Sommet’s successful design principals, Sommet Serif is there when you need legibility for continuous text. Its interesting forms lend it to use as headlines as well. Sommet
Dominus Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Schiller Antiqua Font
Designed by Steve Jackaman, Schiller Antiqua is based on Hispalis from the Spanish foundry, Nacional. Published by Red RoosterDownload Schiller Antiqua
Kunstlerschreibschrift Font
Kunstlerschreibschrift is a classic script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Kunstlerschreibschrift
Adriane Text Font
Adriane Text was designed between 2006 and 2007 with additional production completed by Silas Dilworth for this 2008 release [v1.002]. Focusing on text composition and unique typographic characteristics, details within the characters provide both personality and excellent legibility at small
Erasmus Font
Designed by A. Pat Hickson, Erasmus is a serif font based on the S. H. de Roos typeface design, originally by Amsterdam Foundry in 1923. Published by Red RoosterDownload Erasmus
Magneta Font
To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like
Generation Headline Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Elongated Roman Font
Designed by Steve Jackaman, Elongated Roman is based on the original Stephenson Blake design, circa 1950. Published by Red RoosterDownload Elongated Roman
Classic Round Font
Classic Round. It’s classic. It’s round.Classic design; present-day roundness. Versatile. Soft. Warm. Peaceful.For text and display use. When using Classic Round in small text sizes, it will be a reliable and legible workhorse. When using it in big display sizes,