Tag: true italics  

Rival Slab Font - Image 3

Rival Slab  Font

Rival Slab is a new opentype slab font family designed to be both readable and versatile. Created by Mostardesign Type Foundry, Rival Slab is part of the super family of 62 fonts designed as a system type for versatile  uses.

Altivo Font - Image 8

Altivo  Font

Altivo is a proper workhorse sans serif. Sixteen OpenType fonts in eight weights (with true Italics) range from Thin to Ultra. Meticulous care was taken to ensure high legibility in text sizes on the screen. The typeface is designed  to

Rival Sans Font - Image 9

Rival Sans  Font

Rival sans is clean sans serif font family and it characterized by excellent readability and its contemporary aspect. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled figures,

Bw James Font - Image 13

Bw James  Font

Designed by Moritz Kleinsorge, Bw James is a friendly and playful sans serif: The angled stems, branching spurs and ball terminals all contribute to a personable and friendly mood, while the mono-linear body makes the typeface appear fresh and modern.

Magnetic Pro Font - Image 15

Magnetic Pro  Font

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and oldstyle figures, pro kerning, circled numerals, ligatures,

Davis Font - Image 16

Davis  Font

P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach

Davis Sans Font - Image 17

Davis Sans  Font

Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with  print