Tag: Tuscan  

Flat10 Holy Font - Image 1

Flat10 Holy  Font

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. Published by Dharma TypeDownload Flat10  Holy

Clarenta 4F Font - Image 3

Clarenta 4F  Font

Clarenta 4F is a serif font design published by Sergiy Tkachenko Published by Sergiy TkachenkoDownload Clarenta  4F

Cowboy Rodeo Font - Image 4

Cowboy Rodeo  Font

Cowboy Rodeo is based on an old Slab Serif font from the late 1800s. Saddle up boys and girls the new Cowboy Rodeo is here, the perfect font for when you need to put a little giddy up in  your

Home Style Font - Image 5

Home Style  Font

Home Style is a revival of a very old font previously thought to have been designed by Joseph Gillé in or around the year 1820, however recent evidence from France suggests that an artist by the name of Silvestre  from

Alta Mesa Font - Image 6

Alta Mesa  Font

Alta Mesa is a revival of an old type design from the 1800’s that was sold by most of the type foundries in the US and Europe of that time period so it is difficult to know the foundry  of

Maison Luxe Font - Image 7

Maison Luxe  Font

Maison Luxe is a revival of a very old font designed in France in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. As  of

Main Event Font - Image 8

Main Event  Font

Main Event is a revival of a very old Italian font that you may have seen in the past under the original name of Tuscan Ornate or Bracelet. Dating back to 1860 or earlier it has never been known  to

Dever Font - Image 9

Dever  Font

Dever’s brute, industrial lines are rounded up in this new typeface from Jeremy Dooley. Dever combines plenty of inspirations. It’s the flair of the Wild West melded with a shout out to the sign painters and package lettering artists  of

Abigail Font - Image 10

Abigail  Font

Abigail is a font designed by Ethan Dunham that looks like it is made of ribbons. It comes in two versions, plain and dots. This whimsical font is perfect for headlines that need a contemporary but informal feel. Published  by

P22 Tuscan Expanded Font - Image 11

P22 Tuscan Expanded  Font

P22 Tuscan Expanded is a digitization of the mid 19th century wood type font “Antique Tuscan Expanded – Wells & Webb 1854”. Specimens of this font are rarely, if ever, seen with a lower case. It is noted in  the

Mr Darcy Font - Image 12

Mr Darcy  Font

The elegant and very graceful Mr. Darcy is sufficiently compete with its additional characters–to be stated more precisely, over 136 defining alternates. These optional features are carefully displayed within the supplied brochure. The employ of the Mr. Darcy family moreover

Azalea Rough Font - Image 13

Azalea Rough  Font

Azalea’s careful, inky strokes reference classic brush script styles of the 1950s, but its jaunty angularity is distinctly modern. Artfully irregular thicks and thins lend it an organic feel. This rough-edged version is a rustic complement to Azalea Smooth.  Azalea

Anti Romantic Font - Image 14

Anti Romantic  Font

Anti-Romantic is a romantic, circus, grunge ornamental font family! It is based on the 1800’s Wood Type fonts and it comes with 4 typeface styles: Anti-Romantic Regular, Small Caps, Displaced and X. Published by Misprinted TypeDownload Anti Romantic

Furius Font - Image 15

Furius  Font

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a  host

Grandes Vacances Font - Image 17

Grandes Vacances  Font

This woodtype is the one of the most unique, wild, tuscan themed fonts this side of the frontier. No other woodtype of tuscan decorative is more cute and sweeter than this family. Contains 3 font styles in the family, preview

Azalea Smooth Font - Image 18

Azalea Smooth  Font

Azalea’s careful, inky strokes reference classic brush script styles of the 1950s, but its jaunty angularity is distinctly modern. Artfully irregular thicks and thins lend it an organic and slightly rustic feel, which is further enhanced in its rough-edged counterpart