Tag: versatile
Neuesanstara Font
Neusanstara font family is about when classic meets modern. Contemporary New sans with aesthetic and elegant shape. Neuesanstara is characterized by excellent legibility both in print and on the web. Consists of 10 unique font styles and weights. Look great
La Casa Font
Fontdesign meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”. Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of
Semikolon Font
Optimal readability by reduced, distinct letter forms. Appropriate for early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets,
Neue Kurier Font
Typoart’s popular script font in a new, completely remastered version. Published by RMU TypedesignDownload Neue Kurier
Supra Classic Font
“Supra Classic” designed by Gert Wiescher in 2014 – has 10 weights with corresponding italic cuts. The designs elegant contrast in the up- and downstrokes makes for better legibility and a pleasing personality. The dominant x-height with its high ascenders
Supra Condensed Font
“Supra Condensed” designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The
Supra Demiserif Font
“Supra Demiserif” is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that the italic does
Supra Compressed Font
“Supra-compressed” designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and
Franklin Gothic Raw Semi Serif Font
When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form. Raw – no sweeteners added! In
Supra Extended Font
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn’t look nice
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
Supra Font
“Supra” – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new look. The pleasant flow and
Filson Soft Font
Filson Soft is the rounded version of the popular Filson Pro. At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons,
Monopoly Font
Monopoly is a modern, simple and clean monolinear sans-serif. It has a complete western character set and comes in 3 styles: Light, Bold and Bold Inline giving it the versatility and unique look needed for your design project. Published by
Conglomerate Font
Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters
Neutro Font
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display
Grayfel Font
As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise
Animo Font
Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for