Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to
TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font
Savor the sweet script of insigne design’s new Honeydrop. This decadent delicacy of a font features a unique form with an Eastern flavor that’s great for projects like organic or all-natural food packaging and branding. Mimicking the strokes of a
Creating a combination between serif and sans serif typefaces, Jotia utilises the best of both worlds, resulting in a unique and modern neo-humanist font family. Taking its inspiration from lapidary inscriptions rather than pen drawn text, Jotia uses triangular serif
dT Jakob started as a revival by Gustavo Soares for Paul van der Laan’s class at the Type and Media Masters, in The Hague, NL – back in 2007. There are quite a few excellent geometric sans typefaces available, but
Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has
Altivo is a proper workhorse sans serif. Sixteen OpenType fonts in eight weights (with true Italics) range from Thin to Ultra. Meticulous care was taken to ensure high legibility in text sizes on the screen. The typeface is designed to
Designed by Daniel Hernández and Paula Nazal. Digital editing by Elizabeth Hernández. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Boston is a slightly rounded-edged typeface, which is inspired by ‘Trenda’—a geometric sans serif based on the uppercase of
Artico Soft is the rounded version of Artico. Artico Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions.
This year we commemorate the 200th anniversary of the first sans-serif typeface. and what better way to celebrate, than to design our own sans-serif! Brother 1816 is a very flexible, multifaceted and solid typeface, mixing Geometric shapes with Humanistic strokes
Rival sans is clean sans serif font family and it characterized by excellent readability and its contemporary aspect. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled figures,
Billabong has its origins in the handlettered 40s and 50s script headings that seem to have endured especially in signage when style doesn’t matter too much. Unlike today’s scripts Billabong is tightly spaced and Opentype font features allow for a
Colby is a hand-drawn workhorse sans serif family. It consists of a wide range of weights and widths for a variety of applications. Colby balances the quirkiness of hand-drawn letters with the legibility of a clean sans serif. This combination
Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga
Harrison Serif Pro is a sturdy yet contrasted slab serif that combines a rational and efficient approach with a warm voice. A typeface of nuances, the slightly carved and occasionally extended serifs evoke the friendly side of Harrison Serif and
Texicali is a new multiple weight type design based on our FontMesa logo, the idea was simple, create a sans serif with a few slab serifs added resulting in a style that could feel at home just about anywhere. The
Ravensara Antiqua Stencil is display font family with 9 weights, from Thin to Extrablack with hightest contrast. This font was inspired by old style classic typefaces, such as Didone and Baskerville, and got a modern feel by getting rid of
