Sequel 100 Wide was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical
Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. These two extended width families have been added to the original condensed width family to be used for
Umba Sans is a contemporary typeface designed by Anita Jürgeleit. The undulate shaped curves create a new highly aesthetic appeal in an unexpected manner. Therefor Umba Sans fulfills your corporate identity needs as well as your editorial demands. 30 styles
With the world’s love for all things handcrafted and organic, handwritten fonts have become more popular than ever before. To meet that rising demand without breaking your bank in the process, YouWorkForThem has put together The Handwriting Collection, a reserve
Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give
TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font
The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can
Bakerie is a handwritten script type family of 42 fonts, consisting of 7 weights, 3 widths, and 2 versions. Designed to be a hard-working, genuine handmade set of scripts that are useful in a variety of settings. The lighter weights
Fun font with a nod to the far East. for kung fu lovers, samurai fanatics and ninja obsessed this type face contains three killer styles in a cool wide, extended style, you better check your neck! Light, Reg and Bold.
LP Horizont Caps is another new font creation from German designer Peter Langpeter (lp-design.de). LP has been running his own design studio since 1995, working as a typeface and logo designer, as a calligrapher, cartographer and illustrator. During this time
Colby is a hand-drawn workhorse sans serif family. It consists of a wide range of weights and widths for a variety of applications. Colby balances the quirkiness of hand-drawn letters with the legibility of a clean sans serif. This combination
Marimba is the kind of font you'll be reaching for over and over again. It pairs great with all sorts of styles and provides a clean, readable font, with a touch of fun. Comes in both a sans and a
Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support – with its more than 15 Opentype
Commuters Sans is a classic and simple geometric font design, published by Ryoichi Tsunekawa. Commuters Sans is useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. It consists of eight weights and
INTEGRAL CF is designed for maximum visual and emotional impact. Its six weights excel in posters, social media, headlines, titling, large-format print – and anywhere else you want to be noticed. Hidden among the straight lines and corporate confidence is
Blak Slab is a slab serif typeface designed for creating solid blocks of type and massive branding. Blak Slab is available in a single weight and includes contextual alternates with support for most Latin languages. Published by MAKEWORKDownload Blak Slab
High atop the mountain of fonts, a new structure has been raised–one solid and strong against the challenges of time. Civane is a victorious conqueror among fonts, standing above the clutter and the mundane. Its firm structure joins effortlessly with
