Tag: wide
Design System Font
Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target
Fairwater Serif Font
Fairwater’s aesthetic derives from the simplified, forgiving letterforms of tattoo lettering – and the pictorial themes that informed early-to-mid 20th-century naval tattoos that evokes 20th-century craftsmanship, maritime themes, and colorful, salty personalities. 386 Glyphs and 26 Stylistic Alternates View the
Kinghorn 205 Font
Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Boris Brush Font
Boris is my son: he was born on January 7th and he is as cute as can be. Boris Brush font is a very loud, very useful brush typeface, which I created using some fine-haired brushes and black paint. It
Kenwyn Font
Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular
Kinghorn 105 Font
Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Interval Next Font
Interval Next is a modern sans serif font family that is the successor of the successful Interval Sans Pro. Designed by Olivier Gourvat, Interval Next typeface consists of 16 fonts in 8 weights — Ultra Light, Light, Book, Regular, Medium,
Grandcafe Font
“Grandcafe” was inspired by neon lettering dating back to the fifties. The glass tubes made long loops necessary so a whole set of new typefaces in neon-tubing developed. My version has a very elegant touch to it. Published by Wiescher
Veronese Font
Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Modernista Font
“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started modern
Wurlitzer Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer Pro
Ela Swashes Font
“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela
Plainview Font
My latest and greatest, the widest and flyest. Plainview is large and in charge, crystal clear in ALL CAPS and lowercase. It contains glyphs for most latin-based European languages, and over a dozen stylistic alternates depending on your mood and
Adorn Collection Font
What can be more lovely than a wedding, an intimate invitation, a gift from the heart? One whose presentation uses the warm and welcoming family of typefaces, Adorn. With a modern and sometimes quirky twist on the staid, almost corporate
Haboro Slab Font
Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is
Metra Serif Font
“Metra” has the clarity of a classical Sans font and the charm and elegance of a Gothic Copperplate. I designed it because for some purposes one needs a Serif with that cool “Sans” look. I sell the font in 5